So I decided the BigRedBass was lonesome.
I'd always loved the P/J fives after my BB5000's, WAY better for me than a double J five-string. So with my good friend Will Gunn and Susan's invaluable advice, I decided I'd have a five-string Elan with P/J Activators, as a counterpoint to the mighty BigRedBass and it's potent FatBoys.
I wanted a Fender-ish wood signature with old-school Alembic features. So I decided I wanted Swamp Ash wings with Tiger Maple tops and the traditional Elan neck with all maple/cherry veneer separators. I wanted the tummy cut and the rounded-over top, with a circular fallaway to complement the curve of the Elan body, not the 'straight-edge' fold-over on the upper body. Susan laid in the cherry separators between the Tiger and Swamp Ash, and it came out with the most gorgeous pinstripe and 'revealed edge' I've ever seen. I spec'd the ebony/MOP oval fingerboard and the standard bridge and bird tailpiece to keep the Alembic vibe, and went with the 'poor man's gold' package: Gold keys and brass parts. Susan suggested the Signature electronics with the PJ's, and it was a great choice. I appropriated the old Yamaha trick and reversed the P pickup, ironically making it a bit easier for thumb work, and it just sounds better to me reversed: The high strings are a bit warmer, the low strings a bit sharper. And the old-school five look, a 4+1 Elan headstock.
Mica mentioned once she'd like to do an Emerald colored axe, and it stuck with me, as I love color-tinted axes. So that was it. Bob shot me a gorgeous color, EXACTLY what I had in mind. He got it with NO color smaples changing hands, only what Mica had in mind and my suggestion that it should be about halfway between Hunter Green and a BP sign!
Susan did the numbers, I settled up with Will ( I was his last delivery before he moved to Iowa! Thanks Will! )and they began working on it after New Year's in 2006.
I purposely wanted NO updates, NO f-t-c thread, and I never asked any questions. I thought it would serve no purpose to bug them, and trusted them to get it right. I got it just after Thanksgiving a year ago, about a 10-month wait.
It's everything I imagined and way more. The low C's and D's will almost move solid objects, the color is stunning, and it's the perfect changeup after the BigRedBass. Maybe I could call it the 'Slightly Smaller Green Bass' ?!? And I gotta admit it's way more comforatble after the long-scale Series shape of the BigRedBass. I requested the same 'classic' taper neck, so it's truly amazing to have the IDENTICAL neck on two utterly different(otherwise) basses.
My deepest THANK YOU to Susan, Mica, Bob + Mary, James, Val, and certainly my friend, Will Gunn.
Thanks again Mica for adding your UPS pictures as I'm just hopeless with a digicam!
J o e y