Every time I start entertaining thoughts on thinning out the gear collection, I start thinking about the consequences. It took me a long time to build this Library of Available Sounds, and I kinda' hate the thought of dismantling pieces of it.
Lately I've been thinking maybe... I should at this point, start refining it.
See... I had a Princeton Reverb. '65 Reissue. It was a Sweetwater special I got secondhand. Looked like a Tweed but sounded like a Blackface. That was my gateway to better amps. It was Coz' fault. Said something about tubes and Fender badges. Anyways, I wandered into the warm, wet world of vacuum tubes and went crazy trying to figure out what that damn 'ringy-warbley' noise was. Bad power tube. David and Jimmy J., take a bow. So I fixed it. Blissful sounds come forth from the Princeton - life is good, neighbors wished I would spontaneously catch on fire. So one day I'm scanning the local Craigslist and lo, I spy another Princeton Reverb, a '68 Reissue on-da-cheep. Guy's tired of trying to get rid of its weird noises. Another set of tubes and some screw tightnin', and now I have another basically new Fender amp. But... it doesn't sound anything like my '65. Not better. Not worse. Just... it's totally different. So I had to keep them both. Oh, and then I got an ABY pedal. Hey- they sound really cool together!
Y'all see the problem here? Now, you want me to detail why there's five Les Pauls here? Wait... is it five... six? Technically, one is a mutt, but I still love it. I'd be fine with just the Goldtop Standard and the Cough Syrup Red Special. But that modded Tribute, and the piano black Custom are so sweet. The '56 Pro with the coil-tapped mini-humbuckers... don't play it much... I'd never replace that one though.
Maybe I should scrap out the Fender stash instead?
It's no use.