Author Topic: Need Advice from Dr. Phil- lesh that is  (Read 240 times)

flaxattack

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Need Advice from Dr. Phil- lesh that is
« on: July 03, 2009, 10:39:41 AM »
Dear Phil
 
I am a bass player. I grew up listening to mingus,cassidy, lesh and chambers to name a few. I like playing out of the pocket and in the pocket when necessary. But playing in the pocket can get pretty boring sometimes.  
I've tried traditional cover bands, but feel hamstrung.  
I recently tried to put a dead cover band together and after our first get together which i thought went pretty good, i got dumped by 3 of the
other musicians. one of them is also a bass player and he said my idea of playing bass didnt jive with his. the guitar player said he wanted something more mellow. The drummer said it didnt do it for him. i like playing eighth notes. i like dropping a bomb. i like playing more of a lead than a bottom. Just because I am a bass player does that mean i cant express myself and sit there like other players doing the old sit in the pocket. how did people like jaco or entwhistle survive?
I hate to give up playing but all my latest experiences leave me sad and tempted to lay my wonderful instruments down and call it a day.  
Please help me.
regards,
direwolf

kimberly

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Need Advice from Dr. Phil- lesh that is
« Reply #1 on: July 03, 2009, 12:32:07 PM »
Hey Jeff errr....direwolf,  ;)  
 
Two words - 'Solo Bassist'  
 
  Seriously, after a 17 year hiatus from playing, or even listening to music, when I started playing again I went through three bands in about six months.  Too much BS due to personalities and musical direction.  After pondering what I wanted to do with my music in general after my 'break', I decided to go solo.  
 
This choice for me was absolutely the best decision I've ever made with my music.  More gratification, sense of accomplishment and pure pleasure than ever before, not to mention the fact that the 'show/performance' is all on me.  When I'm 'on a roll' you best hang on cause you're 'going for a ride'.  
 
Course the dowside is if I do 'crash and burn' it can be spectacular!  :D
 
Take a break if that's what you need Jeff, but never stop like I did.  I can't help but wonder about the 'what if I wouldn't have stopped playing, where would my music be now' question(s).  
 
Take care.  
 
Best Wishes, Best Regards,
 
Kimberly  

briant

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Need Advice from Dr. Phil- lesh that is
« Reply #2 on: July 03, 2009, 12:32:54 PM »
Not meaning this to be a personal attack or anything:
 
Maybe your idea of playing busy isn't appropriate for the music and/or your lines aren't complimenting what is going on around you?  The reason Jaco and Entwistle got away with playing busy is they were adding something to the music.  They weren?t just being busy for the sake of being busy.
 
There is a fine line one needs to walk when doing more than laying down root notes.  Is this fitting in with everything else?  Is this adding or taking away?  Would space be better than a fill?  Less is more  Why is the guitard player soloing still?

mike1762

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Need Advice from Dr. Phil- lesh that is
« Reply #3 on: July 03, 2009, 12:53:25 PM »
Jeff
I did the band thing for a long time, but I don't have the time or desire to deal with the hassle anymore.  However, I still love/enjoy playing music.  I get my fix from recording my own music and helping other people with their projects.  Digital recording equipment is relatively inexpensive and being your own musician, producer, and engineer gives you the absolute control that I think you are looking for.  Admittedly, sitting in the basement tracking instruments and mixing may not give everyone the satisfaction I derive, but you should give it a shot before you seriously consider ... call(ing) it a day.

senmen

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Need Advice from Dr. Phil- lesh that is
« Reply #4 on: July 03, 2009, 12:58:36 PM »
Hey Jeff,
completely agree...
That is why I founded our WHO tribute:
with that I had the chance to do the great JE stuff and stand a bit in the troopers light with that style of playing.......
Oliver (Spyderman)

senmen

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Need Advice from Dr. Phil- lesh that is
« Reply #5 on: July 03, 2009, 12:58:42 PM »
Sorry, double post.
 
(Message edited by senmen on July 03, 2009)

jerryme

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Need Advice from Dr. Phil- lesh that is
« Reply #6 on: July 03, 2009, 01:56:19 PM »
Find better muscians to play with.  
Or at least some more in tune to what you are into. Hell I just try to keep up  
 
Colin
 
P.S. Bombs are good....

lbpesq

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Need Advice from Dr. Phil- lesh that is
« Reply #7 on: July 03, 2009, 02:15:23 PM »
Jeff, I can certainly relate to your frustration.  I had a good group of people together doing Dead stuff for a couple of years until other projects, life, etc. got in the way.  Since then I've been trying to put a new project together.  It seems I'm running into people who either really don't know the Dead stuff very well, or others who want to do a Dead tribute: copying the Dead note for note, rhythm player sings Bobby songs, lead sings Jerry songs, etc.  To me the tribute approach is anathema to the whole Dead trip.  My current plan of attack is to put together informal Dead jams once a month or so.  I'm hoping to cull the right players from these jams.  I think this might work a little better than getting five strangers in a room and trying to be a band.  Another thing I find is that pulling off the Dead style requires the players to be familiar with each others' playing, and to LISTEN to each other.  The listening part seems to be a problem for many players, especially lead guitarists.  In this regard, I find that it usually works better if I start out playing more simply, just doing the straight rhythm chords, and work into the inversions, different voicings, lead with chords thing as we get to know each other's playing a little more.  One thing I can tell you is that your chances of putting something together are much better if you keep trying than if you give up.  Hang in there, bro.
 
Bill, tgo

sonicus

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Need Advice from Dr. Phil- lesh that is
« Reply #8 on: July 03, 2009, 06:02:58 PM »
Hi  Jeff  ,
                 Don't give up !  
      Phil Lesh,  Jack Casady, Jaco Pastorious,John Entwhistle,Chris Squire, Rocco Prestia,Stanley Clarke, Mark Egan, Alphonso Johnson,   Michael Manring. These names are among my favorite electric Bass players{ not to mention numerous acoustic players}   All these players are fairly busy (lots of notes).
 
Did you ever see the movie Amadeus ?  They told Mozart _______  TOO MANY NOTES !    He answered THERE ARE AS MANY NOTES  AS NEEDED      My point here is  Mozart's compositions  ____________
had the gifted touch of a GENIUS  Are the Bass players that I mentioned above  GENIUS ? I think so. They have the magic that it takes to pull of the trick of being busy.Is there any mystery in that magic ?  A little bit _ BUT! : Most of those players have some what of a  musical academic devotion ( some even have advanced  musical degrees) Too get there they just kept on playing!!!  AND studying  and sweating !!!  And  Bill IS RIGHT ON TARGET___  Listen---Listen---Listen ---AND__________
 
 be   SEARCHING FOR THE SOUND  !!!!!!!
 
 
  Wolf __________

jbybj

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Need Advice from Dr. Phil- lesh that is
« Reply #9 on: July 03, 2009, 11:09:26 PM »
My current plan of attack is to put together informal Dead jams once a month or so.
 
Bill, you should consider starting a meetup group. Go to Meetup.com and check it out. I got involved for a while with a guy who started a Culver City Alt country meetup group. It was a fun and casual way to vette prospective band/jam mates.
 
JBY

glocke

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Need Advice from Dr. Phil- lesh that is
« Reply #10 on: July 04, 2009, 03:01:58 AM »
I've found that overall, once a month dead meet up groups work out better than a regular band that tries to do all, or mostly all dead tunes.
 
The last band I was in that was supposed to be a dead band, ended up doing all this other crap out of fear of getting rejected by a non-dead audience, of course my argument that a dead cover band shouldnt be booking places that is not frequented by heads was not listened to.  
 
This didn't go over well with me, as I was, and am mainly interested in playing dead tunes in my very limited free time.   Every time they suggested a new, non-dead tune to play, it was always with the excuse oh, well this is a tune that dead would've/should've/could've covered...the tipping point for me came when they wanted to do Glory Days by Bruce S.

terryc

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« Reply #11 on: July 04, 2009, 04:37:33 AM »
flax..well I got sacked from a 70's party band two weeks ago, something do with my sound, not joining in with off stage stuff, I never got a straight answer but the stuff I played was crap so why did I do it..the money was great but I let myself down on a personal level.
I have made a vow not to do that anymore, I am even considering getting my own band together with a very good drummer friend of mine who is on the same wavelength.
If I get a band together then I call the shots, I am sick of 'putting up with it'
I am even considering Kimberley's suggestion of going solo.
Flax..don't give up playing, I now how you feel.
An old musician once said to me;-
'Son, if they get rid of you after a week then you are crap, if they get rid of you after a month or more, you are too good for them'
Take heart!

artswork99

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Need Advice from Dr. Phil- lesh that is
« Reply #12 on: July 04, 2009, 06:12:43 AM »
Hang in there Jeff.  Even though you may not think so, things could be worse... you get what I mean?  Never lay your wonderful instruments down and call it a day... music feeds the soul, even when you play alone.   Best, Art

flaxattack

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Need Advice from Dr. Phil- lesh that is
« Reply #13 on: July 06, 2009, 01:06:30 AM »
i hear ya glocke- comments i got wasit wasnt gelling or it wasnt mellow enough?  it didnt work for me and the last from another bass player who said  thats not i think bass should be played
 
mellow? dead? the only thing i would cop a plea on is having my neck pu to high on the low side which caused a slight boom in the wonderful fender brx piece of shit amp the studio supplied'
 
thats another thing- you ever notice that when you go into a studio there are usually 2 or more guitar amps and always 1 bass amp thats usually pretty mediocre?
i decided
i aint givin up- if a drummer needs me to hold his hand to keep a beat down- what kind of drummer is he in the first place?  
 
if i stay unemployed maybe i will move out to san francisco and kick some musical ass... lol

lbpesq

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« Reply #14 on: July 06, 2009, 07:18:37 AM »
Come on out, Flax!
 
Bill, tgo