I have some stuff in the works that I intend to use my SF-2 to process/fix. I had lost a harddrive when I moved three years ago and finally dug it out! This has some old hieronymous studio material, some of it released, much of it unfinished. One track in particular I think will really benefit from the SF-2. My schedule isn't too busy from now through the new year, so I might try and work on some of this stuff.
Here's another idea - I haven't utilized my SF-2 in a band setting yet - used it a lot for recording, but when I took it to a rehearsal, I couldn't remember how it worked! Or at least I couldn't get it going when I was trying to set up my gear, so I gave up! But I have an idea for how I might try it next time:
Normally I use the direct signal as the base, and add in some low end with the 1st filter in low pass mode, maybe with some high pass filter from the 2nd filter to add some sparkle. Instead, I think I might try ONLY using filter number one, with the damping ratio control set low so that it doesn't make that much of a bump at the cutoff frequency. Basically you get an Alembic low pass filter for whatever bass you are using. So normally I would have the frequency set very high, to let the natural sound of the bass come through, but for ballads could turn the cutoff frequency way down for big fat bass.
Not sure if the filter gain should be set all the way at 10 or below that - it might be cool to have it on 10 and boost the signal a bit, since the manual says the filter controls provide a 10dB boost when fully up.
The biggest drawback is having to go back to the rack to adjust the frequency. Would be cool to have one in a box with a foot pedal to control it, like that Pluto filter that was on eBay a while back...