Irwin,
I gave a lot of thought to whether I should attempt an exact replica vs. getting something that was more me. Given the fact that technology has advanced, I felt that if John were getting another Alembic made he'd take that fact into account and consider it for any new instrument. It was for this reason that I chose to go with Series II electronics rather than Series I, and to have a radius rather than a flat fingerboard. The way I see it this instrument will be made for me, not John Entwistle. I'm the one who will be playing it, so I might as well get something more suited to my hands, playing style, etc. than someone else's.
This being said, I think it will be a fairly close representation of John's instruments, closer than any others to date, anyway. No two Alembics are alike, not even John's. This will probably be as close as I'll ever get to a true Entwistle Spyder ($100K for one of his original instruments is a bit out of my price range at Sotheby's), but with features I'll appreciate and use.
Didn't know John used a radius on the Status and Warwick instruments. I've never played a Warwick Buzzard, but frankly, I wouldn't play a Warwick if someone gave me one for free. I've always found them way heavy for their size, and their necks are like baseball bats to me. Never played a Status, but unfortunately, they're not making them anymore.
Really looking forward to getting this one. It will be my dream bass.
Alan