Author Topic: OtisDuo 6-string 95 9100  (Read 1539 times)

otis

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OtisDuo 6-string 95 9100
« Reply #30 on: November 14, 2009, 08:40:48 PM »
Hal, Did I tell you? Freekbass is most definitely BAAD!  I mean, if Bootsy's passing on the torch to him, he'd better be BAAD, hadn't he?
 
I can't wait to get our new material recorded with the Series II, then you'll all hear what OTiS really sounds like!  
 
I can't wait to Jam with you and the rest of the guys (and hopefully gals... where are those elusive Alembic gals at, anyway?) too, Hal.  If there's one thing I really, really love, it's the FUNK.  OTiS is the New Funk.  Just bass, drums, and vocals, and a boatload of attitude.  
 
Peace;)
 
Frank

toma_hawk01

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« Reply #31 on: November 14, 2009, 09:23:41 PM »
I think Funk should take RAP over!
 
That's the boldest statement I ever said to music in my life and there's complexities to my statement. It's not as clear as it sounds, for there are elements of Rap which are Funky.
 
I have a theory about music.
 
I believe there's (2) types of music
 
1. Community Music
2. Personality Music
 
1. Community
Everything to what made me want to become a musician came from community music.  
 
Community music is what brings people together whether it's Jazz, Funk, Salsa, Rock n Roll, Disco, Country Soul, Funk etc...
 
2. Personality Music
That's when music is Pimped to elevate a career of a talent-less artist, from one form or art, to another. The Artist requires more tools related to the eyes and less of our ears. These people are nothing without corporate marketing and professional idol creators. The shelf life of these people who push Personality Music, is 3 good years. Hopefully, by the time their fame is up, they get a staring roll in some low level acting roll. Like I said, it was never about the music, it was about using music as a vehicle to get where they truly wish to be. The music is all smoke and mirrors.
 
The only real attraction Personality has on people is the Jerry Springer effect. It draws you to it like watching a train wreck, or when you see one artist pit themselves against another. Then there's always this I was into selling in this scam, before going in to this music scam... now, I am legit.  
 
Where's the love? Where's the struggle in mastering the art of playing a musical instrument? What music club do these people join?
 
I mention RAP as one of the fields that took Funk from the music waves. I think Funk is going to bring happy music back for Children, Parents, Grand Parents, to get up and dance again with a sense of community and purpose.
 
I'll leave you with this legacy that help all of us rise as one!
 
Peace and much love Frank!!!
 
Stand, there a Midget standing tall, and the Giant beside him about to fall! - Sly Stone
 
   
 
 
(Message edited by toma_hawk01 on November 14, 2009)

otis

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OtisDuo 6-string 95 9100
« Reply #32 on: November 15, 2009, 09:37:45 AM »
Hal, You're not the first musician that's said this kind of thing.  You're absolutely correct.  Today's Top 40 is all about marketing what sells- good looking kids, boys, girls, men, women.  The record companies are selling an image, nothing more.  Out of 100 Top 40 artists only a handful can actually play their instruments, and only a handful of those are true musicians.  It is all about the image, now-a-days, not the music, nor the artistry involved in making music of substance.  There's some good Rap out there, but a lot of it is bubblegum and popcorn garbage, along with the rest of the popular music on the radio, these days.
 
Don't get me wrong, Hal, there's some truly talented musicians, out there, but they are vastly outnumbered by the poseurs who are just doing what they're doing because they want status, wealth, and adoration.  There's great music to be found, out there- just look at bands like King's X, Dream Theater, Bela Fleck, Living Color, Primus, and too many others to mention that are on the fringes of popular music, but not quite Rockstars.
 
I hope that we can all change music in some small way, just by doing what we do, and being happy doing it.  I live to play, and play to live, you know?
 
Sly Stone couldn't've been more right!
 
Peace and Much Love Back, Hal;)
 
Frank

otis

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« Reply #33 on: November 16, 2009, 05:07:24 PM »
For those who are interested, Flip sent me these details from a previous Serial # Request and this is Mica's response:
 
Posted on Tuesday, July 08, 2008 - 12:14 pm:      Edit Post
Found out these details:
 
top and back: Flame Walnut
accent: triple pinstripes of Maple and Purpleheart
body: Mahogany with Maple central pinstripe
through body neck: 11-piece Maple and Purpleheart, 34 long scale
fingerboard: Ebony with mother of pearl ovals and side LEDs in red
controls: Series II
hardware: goldplated
birthday: June 7, 1995
originally made for: Washington Music
 
Peace;)
 
Frank

krystoof

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OtisDuo 6-string 95 9100
« Reply #34 on: November 29, 2009, 12:45:03 PM »
Hi, Frank,
   you are a luuuuucky guy, it seems!!! Man, such a gorgeous bass! I'm the more than happy owner of a 5 string MK Signature, and recently (for my wedding party), I played on a 6 string F bass.  
     Many years ago, I used to own a beautiful 6 string fretless Leduc bass.  
     I had such a great pleasure to play this instrument, and with the arriving of my Alembic and playing this 6 string bass gave me the idea of, someday, owning a 6 string Alembic. If it can be a S2, it would be like paradise, I guess... :-)

toma_hawk01

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OtisDuo 6-string 95 9100
« Reply #35 on: November 29, 2009, 01:17:59 PM »
Frank,  
 
I got my Mesa Boogie bro!

otis

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OtisDuo 6-string 95 9100
« Reply #36 on: December 01, 2009, 04:02:14 PM »
Christophe, thanks for the kind words, I appreciate it.  It's been a long time in coming, believe me.  I've been busy doing some home recording with this beauty, perhaps someday I'll include a link to some Mp3s...
A MK 5 String Signature is certainly no slouch, for sure!  
 
But I've played many Alembics, and I can say with absolute certainty that the Series II Basses are beyond your wildest imaginings.  Anyone who disagrees either simply doesn't have one, or doesn't know what clarity and presence of tone is, period.  F Basses are cool- I recently played a 5 string @ Rudy's, in NYC that was pretty cool.  I've seen Leducs, but never held one in my paws.
Do whatever you have to do to get a Series II Alembic, even if it means (gasp!) selling all your current Alembics and other basses (which is what I did, and I don' regret it, for a minute).
 
Hal, Congrats, Bro!  I had my eye on that for about a minute before I woke up from my day dream and realized that I'd just dropped all my cash into the Series II Six and didn't have a penny left to work with.  The Mesa Boogie was meant to go to you, just like the S2 6 was meant to end up with me.
 
I know you've mentioned a bit about the clarity  and tone of the amp (or better put, perhaps, the clarity and tone of your bass, through the amp, but you know what I mean, lol) and I've heard great things about MB over the years- if this is any indication, Les Claypoole from Primus, etc, uses MB, and he's one of the best bass players around, hands-down.
 
I guess most of what I've heard around the Club is that the best amps allow the true tone/color of the Alembic to flow through, while lesser amps tend to color the tone with the amp's sound, more so than that of the instrument- if that makes sense.
 
Let me know your thoughts please- now that I have my dream bass, I'm thinking of down-sizing my rigs and grabbing something more manageable, along the lines of MB or Bag End (I hear from Barry aka bkbass that a friend of his that works for them is going to be sending him some to bring to an upcoming Gathering...)  
 
I was able to play through some Phil Jones gear at the NJ Gathering, and it was microsized and light with a great sound, but it's also very expensive...
 
A friend of mine from Los Angeles that plays NS Stick uses Aguilar or Epifani (sp?) I forget which, but he's got a great sound, and his rig is super small (a 2x10 and 6 space rack, I believe).  It handles his low B really well.
 
A friend of mine invited me to jam with a Drum Circle that has 2 African Drum Masters, and I hate to lug my 1200 Watt Kustom Groove Bass Head and 4x10 to the coffee shop where they're playing, but I do not currently own any small amps, so out of necessity, I will probably have to use one of my Kustom rigs...
 
I'm still in the thinking process because I just spent a lot on the S2, but I'd be selling my Kustom gear to pick up whatever I get.  I have to be particularly careful because I play out alot, and I can't afford to get something that isn't going to be BALLS LOUD, you know?
 
Hope everyone had great Thanksgiving!
 
Peace;)
 
Frank

David Houck

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OtisDuo 6-string 95 9100
« Reply #37 on: December 23, 2009, 03:42:50 PM »
Beautiful bass!!!  Congrats!!

otis

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« Reply #38 on: December 23, 2009, 03:53:52 PM »
Thanks, Dave!  It certainly is a dream come true!

bassfingers

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« Reply #39 on: December 23, 2009, 04:28:34 PM »
Colour me green!!!.It's one of the finest Alembics I've seen.Love the sapwood ahead of the neck p/u.

otis

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OtisDuo 6-string 95 9100
« Reply #40 on: December 24, 2009, 06:24:37 PM »
Simon,  
 
Thanks for the kind words.  The tone and playability are unmatched, as I would've expected of a Series II.  As to the sapwood- me, too!!!
Soon I will have a link up to some tunes I've recorded, as soon as I figure out how...
 
Peace;)
 
Frank

otis

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OtisDuo 6-string 95 9100
« Reply #41 on: September 28, 2010, 03:50:38 PM »
Here's a recent show clip:
 
http://www.youtube.com/watch?v=u_P0vC5OQjQ
 
Peace;)
 
Frank