Author Topic: Jimmy "Flim" Johnson  (Read 77347 times)

cozmik_cowboy

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Re: Jimmy "Flim" Johnson
« Reply #765 on: February 26, 2013, 08:13:18 AM »
Hey, Jimmy, will you be with JT on Maui April 12?  Our oldest lives in Kihei, & is talking maybe bringing us out for that one.
 
Peter (who really would be OK with a JT show in HI)
"Is not Hypnocracy no other than the aspiration to discover the meaning of Hypnocracy?  Have you heard the one about the yellow dog yet?"
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"If I could explain it in prose, i wouldn't have had to write the song."
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JimmyJ

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Re: Jimmy "Flim" Johnson
« Reply #766 on: February 27, 2013, 06:11:30 PM »
Gabriele, I see you are still giving your ears a good work out.  Nice tune to take down, some great Holdsworth moving harmonies.
 
Yes Peter I plan to be in Hawaii for those JT gigs.  They may be his only public performances (with band)  this season.  Smallish group - no horns or percussion - a few BG singers - but it should be fun!  I can't help you with tix but maybe we'll see you there.
 
Jimmy J

cozmik_cowboy

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Re: Jimmy "Flim" Johnson
« Reply #767 on: February 28, 2013, 12:33:40 PM »
Cool; hope to see you.  I wasn't expecting tix, but, hey, if you ever can............
 
Peter
"Is not Hypnocracy no other than the aspiration to discover the meaning of Hypnocracy?  Have you heard the one about the yellow dog yet?"
St. Dilbert

"If I could explain it in prose, i wouldn't have had to write the song."
Robt. Hunter

klinkepeter

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Re: Jimmy "Flim" Johnson
« Reply #768 on: March 29, 2013, 11:38:34 AM »
Talking about Alan Holdsworth, i just was listening to an old recording  Dodgy Boat from the Wardenclyffe Tower album (1992), the bass-solo is terrific!
for those not having it: http://www.youtube.com/watch?v=QesdbV6k-5A
 
Peter

JimmyJ

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Re: Jimmy "Flim" Johnson
« Reply #769 on: March 29, 2013, 01:35:37 PM »
Thanks for the comment on the solo.  That's one of keyboard player Steve Hunt's compositions.  Extra points to anybody who can explain the song title's true meaning - which has nothing to do with anything nautical.
 
And I'll balance your free link with a for sale link to support the Artist.  (Yes I know, old school...)
http://www.amazon.com/Dodgy-Boat/dp/B000QNVS7U/ref=sr_1_1?ie=UTF8&qid=1364589195&sr=8-1&keywords=dodgy+boat
 
Cheers,
Jimmy J
 
(Message edited by jimmyj on March 29, 2013)

moonliner

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Re: Jimmy "Flim" Johnson
« Reply #770 on: March 29, 2013, 03:21:48 PM »
I'll give a try!  
Is it cockney for a not pretty face? (google don't fail me now!)

JimmyJ

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Re: Jimmy "Flim" Johnson
« Reply #771 on: March 29, 2013, 04:28:27 PM »
We have a winner!  I believe in cockney rhyming slang boat race = face so a dodgy boat is a face of ... questionable beauty.  That makes the Youtube vid of various watercraft extra funny.  Ha!  
 
Jimmy J

gbulfon

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Re: Jimmy "Flim" Johnson
« Reply #772 on: April 02, 2013, 12:11:07 AM »
@klinkepeter: maybe you want to take a look at my transcription of that solo (you need a free account to donwload the pdf, for free):
 
http://www.scribd.com/doc/101210808/Allan-Holdsworth-Dodgy-Boat-Bass-Solo-by-Jimmy-Johnson
 
I also have the full transcription of mine of the entire piece, we use to play with one of my bands.
Just tell me if you're interested in it.
 
@JJ: we had a gig last friday night playing Holdsworth, Pasqua, Wackerman tunes, and Dodgy Boat  Frank started his solo using your notes! But then moved away to his own ;) Same for Duncan Terrace!
 
Gabriele.

JimmyJ

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Re: Jimmy "Flim" Johnson
« Reply #773 on: April 03, 2013, 07:57:41 AM »
Hey Gabriele,
 
Considering how difficult it is for Holdsworth, Pasqua and Wackerman to get gigs of their OWN, it's good that somebody is playing that music in public.  Ha!  I'm glad you guys are having fun and happy to hear that Franco is stretching his ears.
 
Jimmy J

slicknickhaas

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Re: Jimmy "Flim" Johnson
« Reply #774 on: May 24, 2013, 09:40:48 PM »
Hey Jimmy,  Couple Quick Questions, I've watched a few of your solo's via youtube and was wondering what kind of things do you do as far as practicing to get so tastie with over all note structure and right hand technique. and as far as set up, bout where do you like to set up your bass for tone? filter wise ect. ok I guess not very quick but as an up and coming bassist any info to help gain more knowledge would be grately appreciated,  Nick,

JimmyJ

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Re: Jimmy "Flim" Johnson
« Reply #775 on: May 25, 2013, 11:51:18 AM »
Hey Nick,
 
Thanks for the comments and questions.  
 
I'm self-taught on the bass so my practice regiment has always been to simply play along with records that I enjoy.  I still do that.  Sometimes I try to play the groove part and sometimes I try to solo over the music.  The fact that I played a melody instrument as a kid (clarinet) helps explain my somewhat odd solo style.
 
I have no idea what my right hand is doing but I think the technique that works for me stems from keeping all the strings quiet.  My rest position is thumb between low-B and E-strings and fingers 1, 2, and 3 on A, D and G.  This led me to often play octaves with fingers 1 & 3, if that makes sense.  And apparently my thumb floats down to the B and then off of it as I head down to the bottom.  I rarely think about what that hand is doing unless I need to work out an odd riff which must start with a specific finger.  Everybody has different ways of getting a sound out of their instruments.  The only correct way is the one that works best for you!
 
I run my basses with the pickup volume and tone controls wide open plus a very slight boost to the bridge pickup Q to add some air way up high.  (Center switch position on Series-I, slight turn on -II).  The pickups are balanced via the preamp board's trim pots to favor of the bridge pickup.  I have a habit of running the master volume about 1/8 turn down from wide open, I'm not sure why...  Maybe in case of a volume swell so I can go beyond full.  As in; up to eleven.  Ha!
 
Cheers,
Jimmy J

slicknickhaas

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Re: Jimmy "Flim" Johnson
« Reply #776 on: May 25, 2013, 12:41:41 PM »
Thanks Jimmy, I'm pretty much in the same boat, I played guitar about 2 weeks till a banjo player (can't remember his name) but the band was The Grass Holes said to me ya know, guitarists a a dime a dozen. a good bass players hard to find. the next week I bought a squire P bass and for the next few years worked off what came on the radio or what I could find tab wise. sadly I had no musical training till a now good friend sat me down and showed me the Ionian scale, after that I bugged him for every bit of info I could get. was considering going to school but came to the conclusion all the knowledge I could ever want is out there, just need to ether figure it out or find some one willing to share it, so thanks a bunch!
 
so far most of what I've practiced has been lots of variations of scales, modes, triads, arpeggios, ect, I try to combine alot of it like walking though scales doing triad triplets on each note. but I'm always thinking what else could I be doing.
 
And as a visual learner now trying to move from picking apart rock lines to skilled players like yourself Stanley Clarke, and other greats its really opened my eyes to a new relm of playing, needless to say its slightly overwhelming at first but so far I've been slowly picking apart Hot Fun by Stanley with some success. mainly because that line is stuck in my head at the moment. I'm much more of a simple groove kinda guy but would love to add a lil of that to my own style, always been a James Taylor fan. for some reason at first it didn't click right away that you've worked with him, I discovered you through a Terry Bozzio guitar center video a drummer friend was showing me. I was amazed at the tone of your 5 string and the overall note structure you and the guitar player where working off of. again very tastie.
 
And thanks for the info on the electronics, I've had a 78 series 1 4 string for a couple months now (one of Edwin's old basses) and love tones, I've yet to adjust the trim pots, but it seems like its set up to the neck pickup has more boost than the bridge, might change that around and see what happens but over all I can go from a classic Allman Brothers type tone to a mid 70's Phil Lesh tone with very little adjustment and find my own sounds with ease.  
 
are you running your basses clean or direct to your power amp or are you using pre amps and or filters?

JimmyJ

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Re: Jimmy "Flim" Johnson
« Reply #777 on: May 25, 2013, 10:14:15 PM »
Good stuff Nick.  Always interesting to hear how people ended up playing bass.  My dad played bass and my brother still does so there was a lot of low end at our house...
 
You already know more about scales and arpeggios than I do, I never really practiced like that.  I'm not knocking that type of technical practicing, any time you spend on the instrument is good for you.  I just play by ear for the most part.  I can hear those modes but I don't know their proper names.  
 
Also, we all copied other guys in the beginning - that's how you learn to get around musically on the instrument (as opposed to the scales and arpeggios).  Then at some point you have to forget all you've learned and just PLAY MUSIC.  Make up some grooves or melodies or find a cool way to weave a line through the chord changes.  You know what I'm saying.
 
I really don't put the controls on the bass to good use because I'm stuck on that wide open, almost acoustic sound.  And I am a DI guy, never got into amps, amp simulators or effects as part of the sound I wanted to hear.  I have a lot of respect for the cats who know how to do all that, I've just been a DI guy since forever.  In fact, for that Bozzio thing you saw I only brought my bass, a DS5 and a direct box.  I used two monitor wedges to hear myself on stage.
 
Carry on and keep learning!
Jimmy J

slicknickhaas

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Re: Jimmy "Flim" Johnson
« Reply #778 on: May 26, 2013, 12:49:59 PM »
Thanks Jimmy, That is a lota bass.
 
Ive been trying to work on both, ear training is pretty important, my goal is to be able to jump into any musical situation grab the key and lay down a tight groove. I do find that I've been keeping the technical stuff to much in the for front of my playing some times, in the long run it falls into the forget it and play area. but it works for me in soloing, most of what I play music wise is Psychedelic Jam Rock, (think Allmans, Dead,Floyd, and Hendrix mixed together with a nice fusion) or some thing along those lines. all in all its mostly fun grooves.
 
That's a pretty amazing way to run a bass, I'm so attached to my rig I couldn't imagine going direct. I do like the sound of the bass wide open, but I'm also in love with the flexiblty of tone it has as well. goes to show the quality of the bass, I don't think a Fender would sound so full direct.
 
I've always had a love for tube amps myself, Ive been using a Mark Bass 300T into a Eden 4/10, if the room is big enough I run a 1/15 under it, its a single input amp though but I'm in love with the tone. also use a Mesa 400+ with the FB2 preamp in out doors or big room situation. also a 4/10 1/15 set up under it. If I can I run the 2 amps together, then it gets really fun, at that point I have a clean channel, and 2 effected channels also have a vast aray of pedals to play with. not sure how it happened but you really can't stop at one.  
 
Thanks for the info Jimmy, its nice to hear how guys like yourself approach things. for the fun of it heres a shot of my set up at a back yard party a while back.
 
Thanks Again!
 
Nick
 
 
 

jazzyvee

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Re: Jimmy "Flim" Johnson
« Reply #779 on: May 27, 2013, 09:40:29 AM »
Hi Jimmy, I guess the cards weren't stacked in my favour yesterday. I had an outdoor festival gig yesterday and It was a shared back line and I could hear when the previous band was on that the bass amp was buzzing so I decided when we go on, no problem,  I will just take the DS-5 into a DI Just like Jimmy does.    
 
Well as it happened we all just had a line check and  I noticed during the line check there was no bass sound on stage. So I asked the sound man can I get some bass in the monitors... He replied, nah mate it's ok there is no bass in the monitors because all the bass comes from the subs under the stage....  
 
So when we started all I could hear on stage was sub bass bottom and no articulation which is not what you need when standing in for a session gig with unfamiliar music. It took about two numbers before I could get the side of stage sound man to patch me into the dodgy bass amp just so that I could hear myself clearer.  
 
Fortunately out-front I was told the sound was great, so maybe the buzzing was from the bass of the previous band and not the amp.
 
 
Jazzyvee
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