Author Topic: Jimmy "Flim" Johnson  (Read 77130 times)

the_mule

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Re: Jimmy "Flim" Johnson
« Reply #270 on: July 12, 2009, 01:01:43 AM »
Hi Jimmy, yesterday evening I saw some footage of the North Sea Jazz festival on TV (unfortunately I couldn't go this year) and I was very impressed by your bass' sound, especially on You've got a friend. Only a few shots of you playing some tasty notes, for some reason they focused the attention on some singer with an acoustic guitar...
 
;-)
 
Wilfred
Wilfred

1997 Orion 4 walnut

muller1007

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Re: Jimmy "Flim" Johnson
« Reply #271 on: July 19, 2009, 09:33:36 AM »
Hi Jimmy J,
 
I saw you at the North Sea Jazz Festival with James Taylor last week and it was great! I was standing right in front of the stage and shot some great pictures. Man, I can imagine how amazing it would be to play with James and the other band members. You guys are so fortunate to be able to work together and end up with such an incredible final product. Too bad you guys were on such a tight time schedule last week...
 
We briefly met right after the Allan Holdsworth gig at the Boerderij in The Netherlands back in March. You were so kind to sign the Alembic brochure I brought along. You know, every time I go to one of your performances I love to watch your focus, concentration and immaculate technique and of course, I always hope I get to feel that Alembic bass sound again. It never fails :-)
 
I was wondering, have you ever owned basses other than Alembics?  
 
I was introduced to Alembic basses back around 1985 when I saw a Series 1 being played by Edwin van Huik during a music fair in The Netherlands. I stil have a picture of me as a kid, holding Edwin's huge Alembic. Anyway, I was amazed how that bass sounded different from what I was used to hearing (and feeling!). The sound was larger than life. I was blown away and it always stayed with me. From that moment on I decided I would someday own a Series bass myself. Although my taste of music developed over the years, my longing for that particular bass sound remained.
 
I bought my first Alembic after six years of saving. It was a Signature Deluxe and it was the best bass I've ever owned. Played it for 15 years, until two years ago I stumbled across my current customized '78 Series 1. I've never looked back ever since. The S1 is not my only bass. I also have a Ken Smith BSR5 (fantastic bass!) and a Peavey B-Quad 4  (Brian Bromberg's 90s bass). But my S1 will always remain my premier bass. It was in pretty bad shape when I bought it, but I gave it lots of TLC and it brightened up considerably. It's not perfect (yet), as it needs an electronics upgrade and a refinish but I'll have that taken care of by the Alembic family in the near future. I had a master volume pot put in, which is a great addition and it has the Series 2 led side position markers. Man, I love my Bic! It's on my profile picture.
 
As you mentioned before, it takes the bass player to make any bass sound good and give it your fingerprint sound. I think the Series 1 bass made me find exactly the sound and feel I've been looking for for over twenty years.  
 
How did you get infected by the Alembic virus?
 
Duncan
 
Ps
Sorry for the long post....

JimmyJ

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Re: Jimmy "Flim" Johnson
« Reply #272 on: July 20, 2009, 08:26:58 AM »
Wilfred,
Thanks for that.  I think of myself as invisible onstage so if I'm not in the light, not on the screen, and nobody notices me, then my job here is done...  
 
Duncan,
Glad you enjoyed that North Sea set - that place was jammed!  I didn't expect that attentive a crowd at a festival.  Very nice.  
 
The first bass I owned was a Kalamazoo by Gibson. Next was a semi-hollow Guild machine for a minute and then a Gibson Les Paul bass with low impedance pickups into which I installed a Jensen transformer and XLR output - always the DI guy, even at that early age.  Then I said to my local music store guy it would be cool if somebody made a long scale version of this bass... and he pointed me to Alembic.  I think it was '75 when I ordered my first long scale series I (4 string) and fell for THE TONE.  The revelation that Alembic could build literally anything sent me off on a design quest which got me into 5-strings in '76 with the knob layout and an early version of the quick release tailpiece which I still have on my current basses.  That's the history - not a huge collector but I've been lucky with the instruments that I've ended up with.
 
Thanks again,
Jimmy J

tbrannon

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Re: Jimmy "Flim" Johnson
« Reply #273 on: July 20, 2009, 08:37:27 AM »
Jimmy,
 
I have a question for you, hopefully you can satisfy my curiosity....
 
I've noticed several different headstock shapes on your basses- from the elongated fan headstock seen earlier in this thread to the traditional crown headstock and I've seen at least one bass with the cone headstock.
 
Any reason for the different headstock choices or is simply a 'variety is the spice of life' thing?
 
Toby

JimmyJ

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Re: Jimmy "Flim" Johnson
« Reply #274 on: July 20, 2009, 04:25:19 PM »
Toby,
 
My original '76 5-string (as seen just above the center on this page) was a fan but all the subsequent basses are cones.  I think my reason I switched was:
A) I like the straightest pull over the nut.
B) the cases I use (first pic on this page) are a tight fit so I think the cone may be the shortest headstock...  How's that for a function over form decision?  That will make Mica cringe!
 
You may also notice that I now have two tuners on the B side and three on the G side.  That's to give the giant B-string more room to taper before hitting the tuning peg.  The G-string doesn't care..
 
Seeya,
Jimmy J

jos

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Re: Jimmy "Flim" Johnson
« Reply #275 on: July 21, 2009, 02:16:59 PM »
HI Jimmy, great idea with the two tuners at the ?B side?. My Series 1 5 string is a 34\scale bass like most Alembic basses, but normal long scale strings does not fit the instrument. I need to use extra long scale strings or long scale +. This is actually OK because the bass sounds better this way. I have always been wondering why the headstock of Fender and other basses are like they are. The E string needs more room than the other strings??.not to talk about the B string. This helps a lot when the instrument is a 34\scale. Personally I do not like to play 35 or 36\scale basses even if they do sound good????
J-O-S
ps.can you send me your email address?

chrisalembic

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Re: Jimmy "Flim" Johnson
« Reply #276 on: August 09, 2009, 01:48:49 AM »

artswork99

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Re: Jimmy "Flim" Johnson
« Reply #277 on: August 09, 2009, 07:58:53 AM »
I've been listening to Lee for years. Great video, thanks Chris! Very nice Jimmy!

JimmyJ

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Re: Jimmy "Flim" Johnson
« Reply #278 on: August 09, 2009, 02:09:44 PM »
Oh man, flashback!  
 
Lee took us all to Melrose Blvd. in LA to get those hip clothes.  Haha!  Maybe he should have offered acting lessons too...  It's always great to hear Carlos, we miss that guy.
 
Interestingly (only to you guys), that is my '82 graphite necked bass which only had frets for a couple years and then became my backup fretless.  In the end I missed the dynamics of wood and preferred the compression of graphite for fretless.  Funny that the bass was captured here...
 
Jimmy J

David Houck

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Re: Jimmy "Flim" Johnson
« Reply #279 on: August 09, 2009, 04:09:06 PM »
Nice solo Jimmy!!!

davekoch

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Re: Jimmy "Flim" Johnson
« Reply #280 on: August 10, 2009, 10:10:00 AM »
Jimmy,
 
OMG, what a pleasure to read your comments. You ARE my all-time favorite bass player. Taste, simplicity/complexity, and what my high-school/college band directors used to refer to as note value. You and Chet Atkins have the best note value of all musicians that I've ever heard. As a geezer, I've heard a lot of music.  
 
I continue to get goose bumps from the James Taylor Live CD. You and Carlos are my favorite rhythm section of all time, as well.
 
Dave
Bloomington MN
 
p.s. Gordy tuned our piano a while back and was simply charming. Your parents must be so proud of you both.
 
(Message edited by davekoch on August 10, 2009)

jacko

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Re: Jimmy "Flim" Johnson
« Reply #281 on: August 12, 2009, 03:49:15 AM »
That's a really nice solo Jimmy. very musical - makes a change from all the tuneless slapped triplets one hears these days.  
 
graeme
 
p.s. you look very young in that clip ;-)

georgie_boy

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Re: Jimmy "Flim" Johnson
« Reply #282 on: August 12, 2009, 05:56:58 AM »
That video was SUPERB!!
 
What Graeme said above re the slap crap
Graeme..of course he looks young.............he was only 4!!
 
Seriously though...I can now see why he is the bass player that the best seek!!
George

JimmyJ

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Re: Jimmy "Flim" Johnson
« Reply #283 on: August 12, 2009, 11:10:56 AM »
Thanks you guys, I appreciate it.  Funk soloing is not exactly my speciality!  Apparently in '84 (when I was um, yeah, 4) neither was coming down front to solo (sorry Lee) nor even smiling while attempting to get down with my bad self...  I do not even have a learner's permit to use my thumb but I have tremendous respect for all you fully licensed guys that have that technique down. I just never got it going.  So in these situations I often end up comping for myself as in that clip; play a phrase, then play some bass, play another phrase, play some more bass.  Haha!  Funny stuff!
 
Dave thanks for those comments, note value is a nice way to put it.  Carlos indeed made everything easy and it was my good fortune to connect with him on so many different projects.  My dad definitely had the last laugh when both sons ended up pro bass players like him.
 
Jimmy J

chrisalembic

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Re: Jimmy "Flim" Johnson
« Reply #284 on: August 13, 2009, 12:02:32 PM »

 
listen at about 1:20... now this is THE bass tone!!..one day I will own a big series alembic.. one day...:-)