The point, for me, is to be able to get as consistent a signal possible when switching instruments on stage. If this happens the sound man and myself have only minor tweaking left to do when I change basses. Also, I don't want to drastically change the whole mix by having a significantly different output.
And of course I use my ears when making changes like described above. But I don't think I am always (or even often) the best person to judge how the changes I make affect the mix. The few times I've had the opportunity to listen to my sound offstage, I am usually very surprised how different my sound is in different parts of a venue. And let's be honest, most of us only get the perspective of being right in front of our amps. So my premise is to start with a relatively consistent output between my basses and go from there.
Just a brief story about why I'm approaching this topic. Recently at an outdoor gig, I showed the stage sound and FOH guys our setlist and mentioned where I was planning on switching basses. I also explained thst there might be a significant output change when I did. They were impressed that I even thought about it at all and really appreciated the consideration. Since these are the people that ultimately determine what we sound like to the audience, making their job a little easier and getting them on your side can only be a plus.
I appreciate all the input. Any suggestions or recommendations for computer software will also be appreciated.
And that folks is the longest thread I've ever posted.