There should be one 2-position switch for the Q function and two 3-position switches for the bass and treble cut/flat/boost functions.
Just flicking the Q switch on a sustained note doesn't make much audible difference. To hear the Q working, put the Q switch in the down (boosted) position, sustain a note and then rotate the filter control back and forth. You should hear a distinct wah-wah as you sweep through the frequencies. In the up (dampened) position, the filter response is flat.
Another way to hear what the Q is doing is to play a passage that you are really good at repeating, once with the Q up and once with the Q down. Concentrate on listening to the attack of the note. When the Q switch is in the boosted position, you'll hear a sharper attack on the note. As a gross generalization, you'll probably play blues, ballads, some jazz with the Q switch in the dampened position (up), while with slap, rock, metal you'll probably use the Q in the boost position (down). It's a starting point anyway.
Check that there isn't a jumper from one of the end lugs to the center lug on the Q-switch. Post clear pictures when you get a chance.