One other thing ...
I mentioned magic in reference to what goes on inside 3005 Wiljan Court. What's magical?
The fact that it doesn't matter whether you're a touring pro, or just an amateur/hobbyist like me. You will get the same attention to detail, craftsmanship, and artistry as Stanley Clarke, Mark King, Jimmy Johnson, Greg Lake, John Entwistle, Jerry Garcia, Phil Lesh, and other pros received. This didn't hit me until I got home tonight - the CEO (better known as Thor or Susan), the Godfather of active electronics (amongst other things, Ron - I saw your workshop!), the Graphic Goddess, Val (haven't come up with a nickname yet, but I'm working on it - maybe the Unshaven One?) all took time out of their day to not only show me how the magic happens, but to attend to the details of what will become my dream instrument. I can only speculate to how their better known customers are treated (and I wouldn't blame them if they gave them even more attention), but if my experience is any gauge, this is why Alembic inspires such loyalty. I'd never get anyone at Fender, Gibson, Rickenbacker, or any other production manufacturer to show the same concern for my instrument. Yes, Alembics are expensive. Yes, they're an investment. But they're an investment in something you just can't buy - quality, craftsmanship, and above all, treating every customer as if they were the first one to walk in the door. Getting it right, the first time. I could go on and on ...
Suffice to say, I'm an Alembic player for life.
Alan