Author Topic: Selling Some Acoustics Too  (Read 2007 times)

edwardofhuncote

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Selling Some Acoustics Too
« on: November 12, 2025, 06:15:08 AM »
1993 Martin M-38 Custom $3200

2006 Martin OM-18 GE $3500

2013 Martin 00-21 Custom $4200

Each is in Very Good to Excellent condition. I've played the Orchestra Model most and it shows. The 00-21 looks like a new guitar with only the slightest signs of play or handling. The M-38 is also very nice. Has a couple well-done binding repairs on the fingerboard, otherwise it's as close to perfect as you will find one. Interesting detail; it was hand-signed by C.F. Martin IVth at the factory through the soundhole. No big deal, but a nice touch. (Chris is known to do this, followed by a handshake...) Each is in its original Martin-branded TKL hardshell case, and they're nice.

Like the other threads, please email me with inquiries or interest. I have tons of pictures. I can tell you anything about these guitars you want to know.

Thanks All, ~Gregory (Ed of H.)


More to come. Trying to decide which. 🤔
« Last Edit: November 17, 2025, 11:48:03 PM by adriaan »

rv_bass

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Re: Selling Some Acoustics Too
« Reply #1 on: November 12, 2025, 10:26:59 AM »
Some great looking guitars here!!


rv_bass

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Re: Selling Some Acoustics Too
« Reply #2 on: November 14, 2025, 01:47:25 PM »
Love the color on the M-38 :)

edwardofhuncote

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Re: Selling Some Acoustics Too
« Reply #3 on: November 14, 2025, 03:37:29 PM »
Love the color on the M-38 :)

Thanks for noticing, Rob.

That one was custom-ordered through Mandolin Bros. on Staten Island. The sunburst is an unusual one called "vanilla wafer". I would call it more of a sienna-burst. The verbiage may have been a Stan Jay thing... I think he had a hotline to Martin. I've only ever seen a couple like it... it's not very orange at all, and not dark to the outside either, certainly nothing like the old 30's bursts. I see more gold to mahogany-brown, with the slightest tinge of something between them. Very attractive. I kinda' hate the red tortoise pickguard but that's what came on Martin guitars back then.

The other custom features are herringbone trim and rosette. Other than that it's straight-up Style M-38. Gold Schaller mini M-6 keys. (I replaced these pearloid knobs with ebony ones, but the originals are in the case pocket... they go with it of course) Inside, beautiful scalloped braces under a tight-grained Sitka spruce top and small maple bridgeplate. Some decent quartered East Indian rosewood sides and back. They put a nice set in this guitar. Tone for days... long days.

I'm leaving the heavy rawhide C.F. Martin & Co. branded strap with it too. The case is a new replacement from Martin, about two years old. These cost about $350 now, from a dealer. Anyway, it's as-new.

Told you guys... I can tell you tons about these guitars. 😉

cozmik_cowboy

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Re: Selling Some Acoustics Too
« Reply #4 on: November 14, 2025, 08:57:56 PM »
Well, Greg, you know how I feel about that M-38; if divorce were in my plans for this month you could consider it sold.......
Good luck with the sale.


Peter (who really wishes he could help you out with that!)
"Is not Hypnocracy no other than the aspiration to discover the meaning of Hypnocracy?  Have you heard the one about the yellow dog yet?"
St. Dilbert

"If I could explain it in prose, i wouldn't have had to write the song."
Robt. Hunter

edwardofhuncote

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Re: Selling Some Acoustics Too
« Reply #5 on: November 17, 2025, 07:20:00 AM »
In responding to a question about the M-38, I was looking through the original paperwork on that guitar and realized that I had its serial number confused with another guitar in my collection. Turns out that the M-38 Custom is actually from 1991, rather than 1993. More proof I have too many guitars!

Anyway, in discussions with a Club Member about moving it on. The 00-21 and OM-18 GE are still here. Maybe a few words about them wouldn't hurt...

The 00-21 is a George Gruhn-spec Custom, Madagascar rosewood sides and back, Adirondack spruce top, Spanish cedar neck, and basically mid/late-1920's construction, using hot hide glue. The binding and purfling is all wood, the outermost being flame koa. The tuners are bright nickel Golden Age machines which are reverse worm. (they turn opposite direction from what you expect) Very smooth, fine geared. It's a special little guitar, with a BIG voice. The rosewood has this indescribable sparkle. I love 00 12-fret Martin guitars... had a bunch, (still got a couple) and this one is probably the best that wasn't made before 1930. It hangs in there with them. I'll leave the leather headstock strap-loop and matching strap with it. You really don't want to drill these for a strap button. It will come in the original case, with one of those silly-frilly silk blankets... I never used it. The case is embroidered with the C.F. Martin & Co. Custom Shop logo. (if you'd rather have a plain one, I'll substitute it... some folks don't like to advertise what they're carryin'...)

The OM-18 GE... well first of all, the "GE" is for Golden Era, as in the "Golden Era of guitar-making". I'll spare everyone the long story of the inception of the Orchestra Model guitar, (though it's very interesting and you should read up on it) and move on to what's important about these 21st century reissues. So C.F. Martin & Co. eventually figured out a lot of their competition was their own vintage guitars, and starting building reissues of them in varying degrees of accuracy. The Golden Era line was one of the earlier attempts, and the OM-18 GE is a darn close replica of a 1930 OM-18, right down to the planetary banjo keys and Brazilian rosewood binding. These were pretty expensive guitars at the time, Martin didn't sell many, and hence didn't make many. From 2003-06, they made 258 of them before discontinuing production. I was not the original owner of this one, but I was the first person to play it right out of the shipping carton. It was sold new here in Roanoke from Fret Mill Music. I thought it was about the coolest thing Martin had ever done. And good night, what a sound. The OM is a powerful machine. 000 body, combined with the Dreadnought long-scale, with Honduran mahogany sides and back, Adirondack spruce top and scalloped braces made for a tone cannon. Alas I couldn't afford it at the time. It sold locally and I forgot about it. One day I stopped-in on my way to work (evening shift at the time) annnnd there it was, back again. Traded-in for a '47 00-18. Ken laughed and got it down... said; "the case is over there... just come trade me something for it next week!" He knew. I've had it ever since... almost 20 years.


*added some detail pics.

Hit me with questions. 😉
« Last Edit: November 17, 2025, 10:09:01 AM by edwardofhuncote »

edwardofhuncote

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Re: Selling Some Acoustics Too
« Reply #6 on: November 17, 2025, 03:56:53 PM »
And the M-38 is [SOLD]. 😎

rv_bass

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Re: Selling Some Acoustics Too
« Reply #7 on: November 17, 2025, 04:49:35 PM »
Congrats, that was a nice one!  :)

edwardofhuncote

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Re: Selling Some Acoustics Too
« Reply #8 on: November 18, 2025, 02:11:50 PM »
Indeed, it was. One last tune, and the M-38 was off to a new home this morning. Boxed up tight. Okay, the OM-18 GE and 00-21 Custom are still up, and let's post another one...


How about an offering from the Gibson Custom Shop in Bozeman, Montana? Here's a 1936 J-35 Historic Reissue. It received a label on the 355th day of 2020, according to the serial number. I have all the paperwork and certificates that came with it. I could rattle off the specs, but rather than do that, I'll just brag on it and post the spec sheet. This is about as fine of a flattop guitar as Gibson made. Ever. I'll miss this one. I have opted to keep my old '51 though for sentimental reasons. This thing kills it, soundwise.

It'll come in its original purple felt lined TKL "redline" case, a replica of the originals from wayback. I'll leave the suede strap with it. The guitar is in what I'd have to call excellent condition plus. I've played it though. There are no dents or scratches, only minor handling evidence. I play all my guitars, I just take very good care of them.

Two things of note, the truss-rod cover is a custom one I had made with my initials... I'll reinstall the original before shipping. (unless by some wild chance your initials are GEH...) Second, take note of the bridge... this is absolutely the wrong bridge for a 1936 J-35. Any Gibson junkie will tell you that the "belly-down" bridge did not yet exist. For that matter,  neither did the "belly-up". It should be rectangular. I asked Gibson about it. They didn't know how it got outta' there with that bridge. I've since found two more like it. If you're curious, this bridge should have been on a 1942 SJ Historic reissue. My guess is it was Friday... or Monday after a rough weekend. The banner headstock should have read; "You Never Can Tell With Gibson". Anyway... I think it's cute.


$3500, shipped.


Contact me by email, ask me questions. I enjoy talking by phone much better, particularly with Club Members.
« Last Edit: November 18, 2025, 02:13:43 PM by edwardofhuncote »

edwardofhuncote

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Re: Selling Some Acoustics Too
« Reply #9 on: November 20, 2025, 11:20:39 AM »
J-35 is [ON HOLD] for a local deal pending. Might be another posting soon... stay posted. 😉