Thanks for the support. This bass really caught my eye, and after working with McVie's #27, I realized how wonderful these early basses sound. They seem to be voiced differently from what a Series sounds like today. Lots of high end clarity which I am a fan of. Maybe not ideal for fretless, but that is what the tone knob and middle position of the Q switch is for. I use fretless bass a lot these days for recording and flamenco music gigs. Sure, I can justify the purchase with that, but the reality is that this bass is just so over the top with personal features, great book matched woods, and a flame maple neck, that I just fell in love with it. I also find that these early basses are fairly light weight, which for my bad back is a plus, but then again, there is a lot of cool brass on this one, so it may not be the case. I am hoping Mica does not have any bad news about the bass as to repair history, but I can evaluate it upon arrival. I did get photos of the headstock/neck transition, and could find no cracks or delams. That was my main concern. Losing one of my favorite 1961 P basses to help fund this bass, so I have my fingers crossed it is everything I expect it to be.