Author Topic: FLEETWOOD MAC: PROPERTY FROM THE LIVES AND CAREERS OF CHRISTINE MCVIE, JOHN MCVI  (Read 970 times)

edwardofhuncote

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Looking back, I think the "Spare Tobias Killer B" listed here from the 2004 Tour may also be the bass used to film "Everywhere" from The Dance. There are a few frames where the dark headstock is evident, setting it apart from the Basic, Classic or Signature. Initially, I thought it was a Growler, but the dual pickups rule that out.



hankster

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I believe Ann Wilson May have bought the bass.
Live each day like your hair is on fire.

edwardofhuncote

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I've seen her with it... and like they say down in Franklin County, possession is nine-tenths of the law.  ;D


That'd be cool if it went to someone in another band where we can still hear it occasionally.  8)

hdfixer

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On Facebook in the thread she posted with the pic it was stated the bass now part of the Jim Irsay Collection?

hdfixer

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It was played on stage last night at the Jim Irsay Collection show in SF for The Chain.  Very cool.  There's a decent cell phone video on Facebook (search Jim Irsay Collection).  Not sure who is playing it? 

StephenR

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Looks like Jim is the one who bought it. Not surprising considering some of the other instruments he now owns.

edwardofhuncote

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Well, on the bright side, it sounds like at least it will be played on some basis. It'd be nice to see McVie's 'Continuously Fretted' Alembic hold the same position as Phil's 'Mission Control' bass... on loan for the occasional appearance.


Staying tuned and hopeful.

jazzyvee

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  • Bass, Guitar, Preamps.
The Fretless is now in use. See this Youtube Video.

The sound of Alembic is medicine for the soul!
http://www.alembic.com/info/fc_ktwins.html

edwardofhuncote

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 :)  Nice way to start this morning. Listen to the wind blow, watch the sun rise...

pauldo

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That was really special.  Thanks for sharing.
The YouTube description claims a polished aluminum finger board, it is stainless yes?
« Last Edit: December 14, 2022, 04:18:22 AM by pauldo »

edwardofhuncote

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I guess most folks just don't understand the extreme overbuilding nature that defines Alembic, and polished Aluminum makes more sense to them. But yes - it's Stainless Steel. One. Big. Continuous. Fret.


Personally, I have always wondered how in the world that thing is affixed to the neck.
« Last Edit: December 14, 2022, 06:15:46 AM by edwardofhuncote »

sonofa_lembic

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There it is... hadn't seen that graphite-necked short-scale in almost 10 years. Looks like it's in great shape. According to the History page, Stanley Clarke had the other prototype.

I was at John's a month or so ago, and all of his basses and equipment are very lovingly cared for.  He told me he personally restrung his basses after each performance, and when I saw what he had at the house, I was amazed at the condition of his basses which had been around the World continuously for the past 50 years.  His Alembic #24, was in virtually the same condition as when it left the shop in 1974.  Power supply, F2B, etc. were all mint!  He is one of the few superstars who truly took a personal interest in maintaining his tools of the trade, and in speaking with him, you could see the sincere love he has for his basses.  I was so impressed with his kindness and humility, that I would have loved to own a piece of his legacy just on his personality, let alone his iconic importance to the musical psyche of the World.  Truly a wonderful human being. It was an honor to be able to work on his favorite Alembic...#24.

KR

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You're speaking of 73-27: the maple topped short scale Series 1 that he played the most?