I am experimenting with recording my short scale Series 1 into 7 channels (at once) on my Tascam 388 8 track that I bought last summer. After recording the tracks, I will be putting them into my DAW (Sonar Platinum) on 7 tracks and messing around with them even more. This is a good exercise for now to get familiar with the Tascam.
Tracks 1 & 2 are going straight in through the blue box with an active & passive DI. Track 3 is going through an F-1X and track 4 from 1 half of an F-2B (track 7 will be from the other side later on). Track 5 comes from my SWR amp using a Shure BETA 52A mic. Track 6 comes from my SF-2 from the ACC bus, which means I can add any amount from any of the other channels into the track for signal (pre or post EQ). The other rack units each get only one pickup until I add the other pickup into the other half of the F-2B later on for track 7.
Total overkill! So far I have recorded some of the tracks into my computer, but I am waiting on some more RCA to ¼” adapters to get them all. From there I can mix & blend and add tons yet more stuff.
Interesting things I have learned:
Surprisingly enough, it all sounds good! Often when doing something like this you can just get a mis-mash of noise, but that is not happening.
The two SS Series pickups sound like two different bass instruments, with a huge amount of tonal difference from each other.
The Tascam vintage DBX system does a good job of eliminating tape hiss, but at the expense of losing some highs. I think I can make up for this with a brighter EQ.
I’ll update as I learn more. The tonal variations are endless, of course, and I will record some songs this way to see how it all sits in the mix.