Dave - thanks for the welcome. I guess I'm in the right place because I've been entertained by the forum! I'm primarily an acoustic 1800s turn of the century & earlier Martin guitars & banjo guy but being a retired Bell Labs engineer as well, this mystery has got me too. I did a bit of puzzling & photographing today and I've worked out most of the associations between the controls & modules and got about a dozen close up photos of the electronics & control cavity . One set in particular might jog Mica or Ron's memory. The two potted modules in the center of the upper electronics cavity don't connect at all to any of the other modules there. They are each connected to the control cavity by a seperate 13 wire ribbon cable that mainly interconnects with the 2nd, 3rd, 5th & 6th switches (no matter which end you start from ;^) and some control pots.
The switches mentioned above connect to what I thought was a small potted network module, but on closer inspection it appears to be 3 small potted 2 lead elements (capacitors probably) glued together and oonnecting to the ON-OFF-ON DP switches with resistors.
The two modules in the upper cavity (one Bridge PU associated & one Neck PU associated) seem to control the shaping under control of the CVQ pots and the pots that introduce resistance to modify the Q. But I'm rambling .....
The part that might jog memories is the label potted into one of the control modules (and partially visable on the other). The label reads:
.033K400
The K is underlined and the marking is followed by a mark that looks like a capital P overlaid by a capital L.
Hope this is worthy entertainment / historical research. I have more photos & lots more info but I have a Festival I have to finish before Labor Day weekend (
www.FoxValleyFolk.com )
Juel