Aha! I knew you couldn't resist this thread for long, LOL! I just had to say your name and Infinity enough times, LOL!
I liked all those Ohm Walsh TLD speakers...they were the only things that Tech HiFi had that approached the bass I got from my old EPI-500's (from Tech HiFi, of course) that I loved until the woofer surrounds rotted. I sold those when I got my Infinity's and the guy had 'em reconed and loved 'em too.
Personally, unless someone comes out with something better for me, I still aspire to own a set of B&W 801's (Nautilus or the older Series IV/Matrix) or a set of Martin-Logan hybrids (i.e., full-range electrostat and powered dynamic subwoofer combo). The B&W for outright midrange purity, accuracy and balance (including good LF extension)...Alan Parsons and his Abbey Road Studio(s) can't be wrong, LOL!..OR the M-L's for incredible imaging and soundstage coupled to the Jurassic-park floor shaking capability (Think T-Rex scene, LOL!). Gots to have that bass, LOL!
Hell, even though my Infinity IRS Kappa 9's (9 Kappa's?) were the designer's (Victor Campos)choice loudspeakers that my Audio Cheapskate-inspired (thanks, Stereophile's Sam Tellig) Adcom electronics (GFP-565 pre-amp and GFA-565 Monoblock power amps) were voiced for, the B&W 801 Matrix absolutely SANG with them. Obviously, there are MUCH better electronics with which to drive those with now (as there was then...I'm pretty sure Bowers and Wilkinson didn't use Adcom stuff to develope their loudspeakers, LOL!), but I was still blown away with the sound that even budget electronics was able to elicit from those heavy dense Matrix enclosures with the pivoting top-mounted tweeter/mid modules! All this without the optional B&W EQ module that extended the bass even further!