I grew up singing and playing bass and took it for granted that it was normal. Of course, the fact that I grew up playing a lot of Beatles songs didn't hurt. I owe Sir Paul for that. I've noticed over the years that singer/songwriters who are also bass players (Paul, Sting, Peter Cetera, Louis Johnson) seem to be more careful of how the vocal and bass lines are created, maybe like blues styles where the singing and guitar parts compliment each other. In the 80s I was playing a lot of dance/funk music and realized that the singers were not the bass player, yet I had to sing the song! It took me quite a while to to be able to sing and play that music. First I would get the bass part down until I didn't have to think about it. Then I would learn the vocal part without playing bass. When putting the two together, I would discover the places in the song that created a conflict between the vocal and bass lines. In those places I would slow it down until I could recognize the rhythmic differences, like the bass part is a triplet and the vocal line has a dotted quarter note, for example. I would keep slowing it down until I could manage to play both parts together and then work on speeding it up. The problems are also complicated by the fact that the other players in the band may not be playing the song the same way, which would become a distraction for me. Getting past that point, singing and playing bass at the same time is a joy, especially when I can be creative on both parts, which happens ocassionaly. I don't take it for granted any longer. It's one of the main reasons I can make money as a musician! I love singing harmony and when someone is thinking about hiring a bass player, I would get the job over far better bass players. Lucky for me, I don't have to sing when playing The Chicken.
(Message edited by gbarchus on November 15, 2005)