Jazzy (Delano):
I hope you get 'em too. I don't see any mention on the site of a European leg, but keep ck'ing:
http://www.donaldfagen.com/ http://www.steelydan.com/ It's worth the time, expense and the trip to catch this tour...it's that good, IMHO.
I've seen the Dan on every tour since Walter and Donald reformed the act. They always tour with stellar musicians. This new tour is an awesome opportunity to hear Donald's solo stuff as well as some Dan chestnuts thrown in for good measure.
As you might have already guessed, I'm a HUGE Dan Fan...have been since my teenage days. As mentioned previously, I'm a hi-fi nut as well and for the past 25-plus years have I refused to buy any hi-fi component that I haven't succesfully auditioned with Dan/Fagen source music (especially Aja and Nightfly).
My girlfriend, who usually listens to dance music and is largely ignorant of Jazz, Jazz-Rock Fusion, Classic Rock, et al, was totally overwhelmed by the band. I'm trying to educate her, escpecially Jazz-wise, by exposing her to my music. Because she hadn't heard virtually anything by the Dan previously, it was all new to her. She loved the show, but I think she actually enjoyed the soundcheck more. The rythymn section practiced without the horns, singers and Donald for all but 3-4 numbers, and she was totally infatuated with the raw sound of the band (i.e., Messrs. Krantz, Herrington, Carlock, Washington), especially Keith Carlock's incredible drumming. I had taken her to see Phil Lesh and Friends last fall (which she loved), but she dug the core Dan/Fagen band even more.
FWIW, while I love most everything they've done, Third World Man is one of my all-time fave SD tracks. Larry Carlton's (one of my favorite players and one of the most gifted improvisers ever, IMHO) arrangement and understated guitar work in that cut speaks to me more than any 64th note solo he's ever done. While I'm sure he'd rather be remembered for fiery solo's he's done like Kid Charlemagne and Josie, I'll take his work on Third World Man any day. I'm betting that it was a completely off-the-cuff improv that he completely forgot doing, but it is hauntingly beautiful to me. I imagine the beauty of Larry's work wasn't lost on Messrs. Fagen, Krantz and Herrington as well. They did a note-for-note tribute to Larry and the doubled guitars sounded like I died and went to Heaven. If the Dan does that tune, the guitarist du jour usually does his own thing with only a slight flavor of LC thrown in for interest.
Cheers,
Kevin