Author Topic: Solo Piece w/ Alembic Bass  (Read 505 times)

jzstephan

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Solo Piece w/ Alembic Bass
« Reply #15 on: February 28, 2012, 07:32:16 AM »
Mr HB3,
Really stellar composition, playing, and sound on the Goldfish. Alembics are truly a huge step forward in the evolution of the electro-acoustic instrument.

hb3

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Solo Piece w/ Alembic Bass
« Reply #16 on: February 28, 2012, 08:03:12 AM »
The main effect that you're hearing is the EHX Hog -- I found these new sounds without exactly being aware of what I was doing, but especially on the Goldfish piece, it had to do with utilizing the envelope section of the effect. Later I was able to reverse engineer the settings pretty closely, but not exactly. Fortunately, I did save the preset -- which I had forgotten doing -- though now I have a neurotic fear of deleting it. So I wanted to get some recordings down pretty quick. The delay is the new great Strymon Timeline.  
 
Also, that's the Fender on the Goldfish piece, believe it or not. But the whole signal is being processed through the Hog on that one, including the original voice. It's a complex pedal.  
 
I've been sort of locked in the studio for awhile so Im going to go down and play at the local pub this weekend...I'd love to get together for an improvisational performance...any time.

rustyg61

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Solo Piece w/ Alembic Bass
« Reply #17 on: February 28, 2012, 12:21:23 PM »
Thanks for the info Hugh! Have fun jamming this weekend!
Rusty
2011 SCSD
2014 "Blue Orca" Series II Europa
http://www.alembic.com/info/fc_blueorca.html

hb3

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Solo Piece w/ Alembic Bass
« Reply #18 on: February 28, 2012, 01:58:33 PM »
Thanks ;)

mikedm

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Solo Piece w/ Alembic Bass
« Reply #19 on: February 28, 2012, 03:03:15 PM »
I've always enjoyed your compositions, thanks for sharing.

hb3

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Solo Piece w/ Alembic Bass
« Reply #20 on: February 28, 2012, 04:54:14 PM »
Thanks. You know -- perhaps unexpectedly -- the tenor tuning is not easy to play. It sounds really nice, though. I'm missing the E string, but I can also see why Stanley Clarke didn't switch to a 5-string instrument. Does anyone have a 5 string Alembic strung with a high C? Curious....

hb3

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Solo Piece w/ Alembic Bass
« Reply #21 on: March 01, 2012, 09:15:08 AM »
Dave -- you play a six, don't you?

David Houck

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Solo Piece w/ Alembic Bass
« Reply #22 on: March 02, 2012, 04:32:21 PM »
Yes, straight tuning, B to C.

hb3

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Solo Piece w/ Alembic Bass
« Reply #23 on: March 02, 2012, 07:44:10 PM »
Could you recommend a good cheap one?

David Houck

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Solo Piece w/ Alembic Bass
« Reply #24 on: March 02, 2012, 09:28:45 PM »
Alembic.
 
Look for a used one.  In my view, a primary consideration will be neck taper; and for most Alembics that will be either classic or comfort taper.  My preference is classic taper.  I couldn't do the things I'm doing with either my right or left hands on a comfort taper.  But that's me and my style of playing; others of course couldn't do what they're doing on a classic taper.  I'm very happy with my 34 classic taper six string.
 
After that, the electronics package will also be key.  But when cost is a significant factor, just getting an Alembic with the taper and scale length you want, and getting that Alembic tone from those pickups into your rig or recording console, is a great starting point.
 
Also, your idea of a five string E to C is a good one, especially in light of what you are doing with chords.  In the songs that I play I use my B string a lot, but it is capo'd at the third fret and I am primarily using it as an open low D.  Of course it does come in handy when playing regular bass lines or doing extended runs across the neck.  And I do practice incorporating the B string into chords; but those are still a bit difficult for me to hit, and they haven't yet become part of any of the songs I'm playing.  So a five string would be a good option.
 
But I can't recommend anything except Alembic.  They are the only instruments I know anything about.  I played a G&L L-2000 from around 1980 until January 1996 when I got my first Alembic.  It was night and day.  I haven't played anything but Alembic since.  Sixteen years.
 
So perhaps not the answer you were looking for.  But for someone like you, and I really like a lot of your tonal ideas, I think it worth considering getting the best quality tone as your starting point.  And Alembic pickups are the perfect canvas for the tone shaping you are so good at.
 
But of course budget realities are important too.  And lots of great music has been made on things that weren't Alembics; or at least that what someone I met in jail told me.  Or maybe it was great books written on cheap paper.  Hmmm, can't really remember; it was a long time ago.

dadabass2001

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Solo Piece w/ Alembic Bass
« Reply #25 on: March 03, 2012, 06:55:35 AM »
Dave,
also great bands recorded live on Radio Shack audio cassettes?  
funny, and true
 
Mike
"The Secret of Life is enjoying the passage of Time"
 - James Taylor

hb3

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Solo Piece w/ Alembic Bass
« Reply #26 on: March 03, 2012, 08:51:09 AM »
Yeah, you know, I'm not sure I'd even like a six, but at least I get what they are now. Probably playing an Alembic would make me like it right off the bat, though.

David Houck

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Solo Piece w/ Alembic Bass
« Reply #27 on: March 03, 2012, 10:08:04 AM »
Mike; perhaps even more remarkable, J S Bach was born in 1685, before even Radio Shack.  Makes you wonder where he went for batteries.
 
Hugh; I wouldn't limit what they are just based on my usage.  Lots of great bass players play six string basses in ways that vary greatly from my approach, and with far more ability and greater results.

hb3

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Solo Piece w/ Alembic Bass
« Reply #28 on: March 03, 2012, 10:55:36 AM »
I know...I just meant I was always sort of baffled by them, but. For whatever reason, I get them now.

hb3

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Solo Piece w/ Alembic Bass
« Reply #29 on: March 03, 2012, 12:58:27 PM »
Sorry, I was typing that last post in broad daylight on an iPad. ;0