Since discovering the wonderful tone of the Distillate and the Series in the mid 1990's, I no longer feel the need to have any of the following to get a great sound with a jazz band:
various brands of chorus, Ashley equalizer, Ernie Ball volume pedal, dbx Compressor, BBE Sonic Maximizer, Sadowsky outboard pre-amp, and a few stomp boxes I gave away years ago.
If I play my old Carvin, Kawai, Aria, or any other bass, I need to tweak and tweak and I can never quite achive the balance of deep bass to sparkling highs.
(I do plan to buy a MoogerFooger ClusterFlux). Any one else rely less on effects now that they are playing the best?
VMG