+1 on the GR33 thing!!! I have a Roland Ready Mex strat hooked to the GR33, and made -badly- myself a two-tier wooden pedalboard. The upper tier holds the GR33. Under it, are the power supplies on an AC strip, an active 2-channel DI box, and an Art Tube MP, which is fed with the Guitar only signal from the GR33, to add some colour and a little boost. From there, it goes to the lower tier, which holds a DigiTech RP2000, which then processes the guitar only signal. From there it goes out in stereo back to the GR33 guitar return, and then the GR33 output goes to the stereo DI box, ready for a couple XLR lines to the mixing board. Since I use full-range sounds and mix them from the guitar itself, I go direct to the board, no amps. Sometimes I?ve had to do the work of musicians who failed to show, and assign a bass patch to strings 6 and 5, or fade in/out some keyboard sounds using the GR33 pedal, layering with the guitar sounds, or simply adding some textures. Nice and fun, and gets out of the house somewhat frequently, although not my main guitar work or sound whatsoever (In fact, I?m more of the old-school huge guitar racks way of thinking, and use -at least primarily for recording- a rather complex W/D/W rack setup, and if going live, it?s either a small, cheapo DigiTech RP50 for those small, cheapo gigs -the majority- where I end up going direct to the board and nobody will -unfortunately- notice any difference, or a Boss GT-3 for some little bit higher-level gigs, either to the board or an amp. I?ve not used my pedals board on stage for YEARS! -nor my beloved rack setup, for that case). With the bass is somewhat the same. 4-space rack setup plus power amp for a nice, accurate sound, which almost never leaves the house, Boss GT6-B for most common gigs running into the board and whatever the backline provides, and even a small Korg AX3-B for the smallest gigs, if any gadget is needed -when not going plain-.