Author Topic: Introduction  (Read 2216 times)

bracheen

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Introduction
« Reply #15 on: February 01, 2007, 03:49:26 AM »
Kimberly,  
Hello from another Epic owner.  I enjoyed the video and the story. Early retirement is on my to do list.  I thought is was intersting that on the same page as your video there was a Phil Keaggy link.  Amazing guitar player.  He had a childhood accident that cost his right middle finger and Phil can fingerpick with the best of them.  His Master and the Musician album is one of my favorites.  Oops, sorry, I just looked at your previous post and you'd already mentioned Phil.  
There is a guitar player around here somewhere who plays upside down.
 
Since the Pauls seem to be slacking, I'll bang the table and ask for pictures.  I'm sure everyone would very much like to see more of Mr. Epic (you didn't mention a name for him).
 
Sam

cozmik_cowboy

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« Reply #16 on: February 01, 2007, 07:48:39 AM »
Phil Keaggy, Jerry Garcia, Django Reinhardt; you're in some good company, truncated-digit-wise.  And like them, you've adapted nicely - loved the video!  The company here, while congenial, is, as mentioned above, rather short of XX types.  One who plays bass and rides?  Welcome!  (BTW, my last bike was a VT1100.  Wasn't my dream bike, but it was very nice)
 
Peter
"Is not Hypnocracy no other than the aspiration to discover the meaning of Hypnocracy?  Have you heard the one about the yellow dog yet?"
St. Dilbert

"If I could explain it in prose, i wouldn't have had to write the song."
Robt. Hunter

olieoliver

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« Reply #17 on: February 01, 2007, 08:13:32 AM »
Interesting story. I assume then Kimberly that you are not a natural south-paw?
 
(Peter, there are a few us players and riders here. And to keep this post in the threads context; my last ride was an adventure of EPIC proportions.)

adriaan

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« Reply #18 on: February 01, 2007, 08:13:44 AM »
Paul TBO did pop up recently after a prolonged absence, he's usually good for a lot of bottles banged on tables. And his Alembic has a lady's name too - Bonnie (as in Raitt).

bracheen

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« Reply #19 on: February 01, 2007, 08:23:24 AM »
Peter,
At the risk of both sounding ignorant and being thread hijacker, what is a XX type?  I'm guessing you're not talking about shirt sizes.
 
Olie, nice save.

tom_z

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« Reply #20 on: February 01, 2007, 08:36:56 AM »
Great story Kimberly, and welcome from the upper registers. Though not as rare in this deep end as female players, we guitar players are a fairly small but vocal minority.  
 
Love the video too. - I've been playing with a looper using a Fishman pu my Santa Cruz dreadnought and have had some nice results. Interestingly, it was watching Victor Wooten do a solo with his old Jam Man that got me interested in looping.
 
By the way, did anyone mention we would love to see some pictures of your bass??  
 
Peace
Tom

adriaan

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« Reply #21 on: February 01, 2007, 08:39:47 AM »
Sam, XX as in the chromosome pair - men have XY. (Some women have XY too, but that's another story.)

southpaw

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« Reply #22 on: February 01, 2007, 04:36:34 PM »
Sorry Adriaan, the corporate world was beating me up  the last day or two... Welcome Kimberly!
Another lefty and you're not named Paul, cool!
Excellent video, you are a very talented musician.
 
(Message edited by southpaw on February 02, 2007)

kimberly

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« Reply #23 on: February 02, 2007, 01:05:34 PM »
Hey Everybody.
 
Me again.  
 
I just wanted to follow through and thank ya'll again for the welcome(s) and ummm...follow through.  ;)
 
 
For reference sake, nothing at all 'wrong' with being a lefty and 'upside down' player, though there are at least two exceptions/challenges to that for me.  Some chords just don't lend themselves very well in the 'upside down position', say for example the 'demented/augmented'.  Those kill me.  The other is 'slapping/what I call thumb popping'.  With the bass strings on the bottom (literally) even if I had the missing truncated digit (I like that terminology btw, thank you Peter), thumb, the actual mechanics of placement just don't work, at least for me.  Check it out on your basses/guitars (left handed upside down position) and you'll see what I mean.  Anyway, as Peter said, (thank you again Peter), I've adapted quite well and while I'll never 'rip em' out like all the slappers out there, I can still lay some pretty good groove, if I do say so myself.  ;)
 
jacko/grame--after I write the above I see you mention Jason being a slapper of apparently some renown.  I guess I might have to look into this.  Thanks for the 'heads up'.  
 
Olie, as bracheen said, nice save, let me say 'great save'!  I'm glad I wasn't drinking at the time I read it, as it might not have been pretty.  For records sake, I was and am a 'natural lefty'.  I 'wasted' a couple of years after my 'accident' learning how to write right handed, eat etc., but one day realized even with truncated digits I still had more control with my left then my right.  The rest is as 'they' say, history.  
 
Tom, you mention Victor Wooten.  He's the 'dude' that inspired me to begin playing again and to get a looper.  His techniques were/are nothing like I'd ever heard back in the days of the 70/80's.  Sure Stanley and Jaco were around, but to me, electric bass playing evolved rather dramatically during the, sheesh...17 years I didn't play.  And with amps and speakers, effects, technology also, wow...  Lot of changes and some catching up to do, but it's all good.  
 
southpaw.  Hiya 'Bro'.  Us lefties gots to stick together, not that it sucks being a minority in this instance.  Thanks for the nice compliments.  
 
Gots to run now.
 
Picture(s) of my boy to come soon.
 
Thanks again for the welcomes guys.
 
Best Regards,
 
Kimberly

inthelows

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« Reply #24 on: February 06, 2007, 04:51:28 PM »
Great vid Kimberly. Nice to see ya havin' fun.
After all that's what its about.
Love the loop. Reminds me of my echoplex days and
tape loop sample heaven. Very cool stuff indeed.
Welcome, enjoy and share away!
NLP

olieoliver

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kimberly

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« Reply #26 on: February 10, 2007, 08:08:58 PM »
Hi Olie,
 
Thank you.    
 
I've only recently become aware of Jeff and am absolutely amazed at his skills and talent.  The guy's a real monster.  ;)  
 
On an interesting note, with all my background/experience I've only played with right handed players, so I'm used to seeing the 'haps' as everyone else does.  When I see a lefty, they're backwards and if they're upside down like me, I don't even have a little clue as to what they're doing.  Such is the case with Jeff.  His playing to me, looks like my playing to you.  Crazy huh?  :D
 
Back to the interest/topic.  Actually at this point, I really don't have any interest in pursuing a higher register (piccolo) other than the high C string I'm thinking about, or any of the alternate tunings as he and others do.  In spite of my personal direction, as with yourself 'deep down' ;) inside I'm more of a traditionalist type bassist.  It's only within the last maybe four or five months I've started delving into the path I'm currently on.  Maybe sometime down the road this will change, but for now I'm quite pleased with how things are working out.
 
I do appreciate the heads up and thought.
 
Thank you again.  
 
Best Regards,
 
Kimberly  

richbass939

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« Reply #27 on: February 11, 2007, 10:08:40 AM »
LOOPER 101 QUESTIONS, HERE.
Kimberly, I suppose this is not really a thread hijack since you are probably one of the main people I can think of who would have some input. Also looper use seems pretty key to what you are doing.  I am asking here because I don't think I need to put another new thread on the Misc list.  Besides, a lot of people seem to be following this thread.
After watching your performances I am now interested in using a looper. (Thanks)  I want to do my homework and get the right one the first go-round.
I'm looking mainly at the Boss RC20 and the Digitech Jam-man although I'm open to others if they will do what I need.  I guess they all will do a handful of layers and have quite a few drum tracks to pick from.  I like to start with a drum beat and later on in the jam change up the feel a little.  Will these units let you add a little bit to the one you start with or do you have to pick a new preset drum track and hope that it sounds like a subtle change?  Can you start with one basic beat and add, for example, a snare lick or ride cymbal lick?  What are any other questions that I don't know enough to ask?
Anyone who uses a looper please jump in.
Thanks,
Rich

kimberly

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« Reply #28 on: February 11, 2007, 02:09:33 PM »
Hi Rich and all who read this.  
 
I don't consider this a hijack and am most willing to offer all I can about loopers.  Fact of the matter is I'm quite flattered, thank you.  
 
Standard disclaimer -  Individual needs, results, etc. will vary.  Works for me.  ;)
 
I looked at the Digitech and for a reason I can't quantify or even remember (a year ago this month), just didn't get the 'warm fuzzy' even though with the memory card the record time was far far superior.  For a point of reference, I'd never used or owned a Digitech or Boss/Roland product before.  Anyway, I can only speak about the Boss.
 
I had the XL-20 before the RC-50 came out and returned it (30 day try it out trial period) *only because* I became aware pretty quickly it didn't have enough memory for my needs.  I still didn't 'change brands' and go to the Digitech and again I couldn't quantify why other than just lack of the warm fuzzy.  Thus the RC-50 which has met all my needs to date and which I'm happy with after about eight months now.
 
The Boss comes with 99 'drum tracks' which sound just fine, though some do sound kinda 'tinny'.  Overall the drum sounds sound good and work well.
 
Modifying them is the weakness, as the individual tracks are *not* editable.  Once you start you're committed to what's available.  It is possible to change 'on the fly' but...here's a problem.  The drum tracks are selected with a rotary knob and while I can work the rotary volume knobs in my stocking feet, it would be much more difficult to do with the drums, as it's a 'detent/click' selector.  So for me, it's a 'hands on' operation/function.  
 
The drum tracks located right next to each other are of the same 'basic feel/groove/genre', which could make changing feel on the fly easy, but if you want to select a beat that is multi clicks away on the drum track selector (the shuffle comes to mind with about six or so choices), you *have to click through however many there are from your first drum track to the one you end up on* and that can be a problem.  Matter of fact, while it can probably be done, I've never even considered it, as it just doesn't seem viable because you will have that 'burp' of different drum track sounds as you spin the knob.  Maybe only a seconds worth, but it would be rather obvious.  It does keep the same time/tempo, so you'd stay in time, but still...just not for me.
 
One option you do have to 'modify' the beat, is to add sounds, snare lick/ride cymbal, in advance and then with the RC-50, you can turn those phrases on and off via the foot operated switches (three phrase selections available, each capable of recording and playing multiple parts).  The downside of this approach though is two fold.  One, it's not live and two is if you want to add, say for example in a twelve bar blues a single crash at the fifth measure, you have to use the full twelve measures worth of time to keep it in sync which 'eats memory'.    
 
One more thing to be aware of is you can 'bury' your first loop when adding more parts on top if you're not careful.  This was on both the XL-20 and the RC-50.  The more parts you add, the more the first ones become buried.  I compensate for this by playing harder on the first one and lighter on subsequent parts.  Or you can use your volume control and make the first hotter and the following ones lighter.  It's easier for me to compensate with my fingers and attack.  The RC-50 with it's three phrase selections, each with individual volumes, kind of addresses this, as I can start on one phrase and then switch to another for additional parts which maintains the original volume of the first part.
 
Another issue is what I call 'time warp'.  It's shocking how time will fly when you start playing with a looper.  One idea leads to another, which leads to another, which leads to...  ;)  In this instance, the above paragraph is moot, as it can be a good thing to have your loops become buried and newer ones evolve into something completely different then what you started out with.  I kid you not, you can lose hours and I've even heard of people being lost for days.  ;)
 
I hope all this makes sense.  
 
Please feel free to ask for any clarification or any other questions you may come up with.  I'm happy to help as best I can.
 
Best Regards,
 
Kimberly   (taking a break to walk around and stretch)  
 
PS.  I just remembered to mention this.  It seems to me someone, and I think it was on this board, said they used to work for Digitech as a tech and even though they had an employee discount on products, they never bought a single item.  I *think* I remember reading this.  Search for Digitech?  ;)

richbass939

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« Reply #29 on: February 11, 2007, 02:55:37 PM »
Kimberly,
Thank you.  Just to clarify one point you made.   It sounds like you do not have the ability to independently adjust the volume of the different layers.  Right?
Here's another thing I forgot to ask.  The different loopers I read about mention several minutes of memory.  Let's say I lay down the drums, bass, and rhythm tracks for a 30 second loop of each.  I assume this takes up only 1 1/2 minutes of time no matter how many times I repeat he loop, right?
Thanks, for the info.  The main reason I am considering Digitech is that I read that Victor Wooten uses one.   Generally, I think, when top pros use something they must feel that it is the best. Personally, I know nothing about Digitech.
In about a month I will be near some music stores (yes, I live in the boonies) where I can try some boxes.  I'm hoping to have my homework done by then so I can make the best use of my time in the stores.
Rich