Thanks, Toby!
Mark, that's pretty astute of you to pick up on the selector switch location thing. One of the motivating themes behind this bass is contradiction, since the dragonfly itself is such a dichotomous creature. It is delicate, graceful, and beautiful, but it is the most fearsome and powerful of insect predators. Also, it is an incredibly ancient species, but only lives a few months once it starts flying. I wanted this bass to be sort of low-contrast and unassuming (well, for a Series II, anyway) from the front, but eyeball-poppin' from the back. I think the elves definitely succeded in making that happen! And as you pointed out, it's got a modern/retro thing happening, too. The selector, of course, and also the low-contrast vermillion laminate with no pinstripe, which reminds me of the older 3-layer sandwiches.
P.S.
The bridge sure looks bizarre all un-intonated like that...took me a minute to figure out what was wrong with it...
P.P.S.
Mica, is that a stereo/mono switch below the 1/4 jack?