we are waiting for an objective and honnest answer from Mica. I had a lot of basses (4 Alembic, Fender, Rickenbacker, Ibanez (severals), BC Rich, Musicman, Steinberger and I never seen that. You have material to mesure the exact position I think, hand made or not. For many people, Alembic is like a god, I agree for many thing, particularely THE sound, BUT, you could be stay objective and have an other regard for this problem.
My next bass will be an other Alembic with correctly positionned tailpiece ! ;o))
Pierre-Yves,
I own, at the moment, the following:
'73 Fender Jazz Bass
'94 MIJ Fender Jazz Bass
'05 MIA Fender Jazz Bass Deluxe
'99 Fender Jazz Bass Deluxe Fretless
'76 Fender Precision
'77 Gibson RD Artist
'74 Gibson Ripper
'87 Gibson Thunderbird
'81 Gibson Victory
'79 Musicman Stingray
'02 Musicman Bongo
'04 Pedulla MVP
'87 Peavey Dyna Bass Unity Series Limited
Martin BC-15E Acoustic Electric
Ovation CC-074 Acoustic Electric
Godin A4 Acoustic Electric
'77 Rickenbacker 4001
'76 Rickenbacker 4001
'03 Alembic Spyder
'04 Alembic Dragon's Wing
'91 Alembic Essence
'92 Alembic Essence
'03 Alembic Europa
'06 Alembic Stanley Clarke Sig Standard
Lakland 4-94
Like you, I've spent a lot of money on Alembics. I've spent, personally, close to $25K on the Alembics I have now, and damn near $10K on the one I have being built (with more owed -sigh!). I've said repeatedly in many forums and in this one that an instrument (or anything else for that matter) is only worth that which one is willing to pay for it. For me,an Alembic is worth every penny. I've been to the factory, I've met the people, and I've played the instruments. There isn't any bass finer in my opinion, flaws be damned. They may not be for everyone, but they're a cut above, IMHO.
My '76 P Bass has a horribly aligned bridge. I know this since I replaced the original bridge with a Badass II - I literally had to move the saddles almost to the back of the bridge to get the intonation right. Nothing I did with the Ovation got the action low enough, to include having a professional luthier shave the saddle. And the bass I traded for the Stanley Clarke, a brand new Ernie Ball Musicman Stingray HH, absolutely refused to accept light gauge strings. It was beautifully made, but it just couldn't be adjusted to the point where I could play it. It buzzed all over the place, regardless of how high I raised the action.
What I'm saying here is no bass is perfect, regardless of cost (the P cost about $700, the Ovation about $300, and the Stingray over a thousand). My Alembics aren't perfect either. Perfection is a goal - if something was perfect there would be nothing to shoot for.
Alembics, like any bass or guitar, have their flaws. If you don't like the less than symmetrical placement of the tailpiece, tell them that you want it symetrically mounted. They'll do it, too. Of course, the bass or guitar may not play well or sound good in that instance, but if it is that important to you they'll accomodate you.
Don't get me wrong - I'm not apologizing for anyone, nor am I defending anyone. I'm just saying that if symmetry is important to you, tell the elfs at Alembic ahead of time, and you'll get what you want.
My two cents,
Alan
(Message edited by ajdover on March 11, 2007)