Brad, I'm sorry I missed your response earlier, and again... what a schuhh-weet bass! Hey, I saw on another post that you wanted to have custom rotory switches or something for bass and treble controls. Are you getting separate bass and treble controls for each pickup ON TOP of Series II electronics? If so... I salute you, sir. What are you planning, 4 position switches with something like -6, 0, +6, +9 dbs or something similar? Mine go +/- 12, and they work very well. I occaisionally use the bass at maximum when using it in balanced stereo mode, but I never use the treble at maximum.
I'll tell ya, the little 3 position quick change MID RANGE boost/cut switches that they made custom for my bass are really useful. I've found that it can be useful to utilize the cut for the neck pickup, especially when boosting the bass and having a slight q boost in the upper treble... it creates a really cool sound that sounds like two simultaneous sounds (even from one pickup): a crisp high and a booming low. Even more significant, engaging the mid boost on the bridge pickup gives an incredible boost, and also seems to emphasize the enhanced sustain of the ebony and purpleheart-fortified neck. I virtually always use my mid-boost on my bridge pickup. Perhaps this might be a option that would interest you. I don't recall where my original quote was, but I don't recall it being terribly expensive... I think it was a couple hundred bucks... I remember two numbers, $500 and $250... and I'm thinking maybe it was $500 but I paid $250 'cause I got the custom electronics half off (special of the month).
But since they have the specs, maybe it would be cheaper... then again, inflation, who knows? Anyway, maybe something to consider.
One other thing that I only recently realized that is really cool, and says something really cool about Alembic: my custom stereo switch allows me to assign either of my two independent sets of tone controls to the role of MASTER TONE CONTROL SET. Recently, I discovered when using it that each of my custom mid-range controls is set to a different frequency. I have concluded that Ron must have tested them individually and selected frequency ranges that were subtly different and specifically suited to the idiosyncratic tonal characteristic of EACH PICKUP... SPECIFICALLY... and DELIBERATELY. (Obviously, it's NOT something that would happen deliberately. The obvious default would be to make a switch, and then make an idenitical one; but this isn't the case; they each affect different frequencys, and this must have been/clearly was deliberate.)
This is just so cool. I didn't ask for it. I might have, if I'd thought about it. But I didn't. They could have just made one circuit or whatever and duplicated it... but they obviously had a higher standard in mind, and did the extra step of attenuating -or whatever the proper word is- each mid boost/cut switch -to each pickup.
Thanks Alembic! What attention to detail! What a great company! What nice, great, people!
You are SO going to love your bass! Hang in there, tiger! It'll be worth the wait and the price tag! Of this, there can be no doubt!