Author Topic: Emerson, Lake, & Palmer  (Read 992 times)

pauldo

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Emerson, Lake, & Palmer
« Reply #15 on: November 13, 2013, 03:52:01 PM »
Have to admit I have never heard the studio version of Tarkus before. Very cool.
 
I also confess that I really like how Greg slips in a phrase from Epitath on the live version that is on Welcome Back My Friends . . .

hifiguy

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Emerson, Lake, & Palmer
« Reply #16 on: November 13, 2013, 04:16:35 PM »
Back in the day my organ teacher (I studied both classical and theater organ for a few years and didn't listen to much rock) played me Switched On Bach through the giant tube McIntosh/Altec Voice of the Theater stereo system she and her husband owned.  Turned me on to both high-end audio and the Moog in one fell swoop.
 
I think I fell for prog because Keith or Rick standing in the middle of a horseshoe of keyboards seemed to me to be the rock equivalent of the Mighty Wurlitzers of the golden age of the theater organ.
 
(Message edited by hifiguy on November 13, 2013)

sonicus

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Emerson, Lake, & Palmer
« Reply #17 on: November 13, 2013, 04:35:32 PM »
I was a big  Switched On Bach: fan as well , I still am !  
I am a big Bach fan in general ______  I Love that counter point_____

jzstephan

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Emerson, Lake, & Palmer
« Reply #18 on: November 13, 2013, 08:41:09 PM »

dfung60

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Emerson, Lake, & Palmer
« Reply #19 on: November 13, 2013, 10:49:54 PM »
Greg Lake was one of my biggest influences on bass.  Over the many years, my musical tastes went to a different place than ELP, but I still love Greg's playing and tone.  He has quite an amazing explosive pick attack and really defines the piano bass tone and the really intense string rolls he throws in tehre.
 
I'll second an earlier post - you hear ELP at the very best on Welcome Back My Friends, a triple live LP, and Pictures At An Exhibition (also live) is great too.  I loved Brain Salad Surgery back then, perhaps like Tarkus a bit better now because it isn't so drowned in reverb.  By Works I (next to their last official album), it's pretty much nothing but reverb - I've always wondered what Pirates would sound like if you could actually hear it.
 
The problem with the solo albums are that the true combo stuff is pretty sterile from overdubs.  The band members are quite famous for not getting along at all, but in a live environment, they really connect and feed off of each other.  
 
ELP's last tour was with a orchestra - at least the first half of it was.  I happened to be at the last show with the full orchestra in Des Moines Iowa.  Quite a day to remember - the ELP concert was at Veteran's Memorial Auditorium, across the street from the best movie theater in the state.  My best friend, Dave Rougvie, said let's go catch that Star Wars movie that just opened a week or two ago.  So we had our minds blown there, then walked across the street and saw this amazing show.  Greg played his 8-string graphite Alembic for much of the show (I think he had a Pirates one as well as the more famous Manticore bass).
 
I guess I know what I'm listening to the rest of tonight.  
 
Check around on YouTube - some very interesting video.  I believe there was some soundcheck video from Montreal, which was the last date of the Pirates tour (and where they brought back the full orchestra).  If I remember correctly, you'll see Greg with a Zemaitis doubleneck...
 
David Fung

dfung60

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Emerson, Lake, & Palmer
« Reply #20 on: November 13, 2013, 10:50:05 PM »
 
 
(Message edited by dfung60 on November 13, 2013)

cozmik_cowboy

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Emerson, Lake, & Palmer
« Reply #21 on: November 13, 2013, 11:17:13 PM »
In late'71-early '72, my buddy Crazy Mike bought a used 8-track deck for his '64 Mercury; it came with Fever Tree's eponymous debut, Sly and the Family Stone's Greatest Hits, and Tarkus. In a town of 800, cruising backroads all night was the only option, and we about wore all 3 out over the next year or 2.  
 
For some reason, I hadn't listened to Tarkus since about '74 - until tonight.  I have a strong urge to shoot road signs from a moving car.........
 
Peter
"Is not Hypnocracy no other than the aspiration to discover the meaning of Hypnocracy?  Have you heard the one about the yellow dog yet?"
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terryc

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Emerson, Lake, & Palmer
« Reply #22 on: November 14, 2013, 06:46:06 AM »
At the tender age of 13 years old I am in the crowd when 'Pictures..' was recorded at Newcastle City Hall UK.
Saw ELP at Wembley promoting 'Brain Salad Surgery', Palmer with his 5 ton engraved stainless steel and copper drum kit which had to have a reinforced plinth built for it to be placed, chinese gong, church bell above his head and kettle drums.excess or what!. Greg Lake standing on his handmade persian carpet with his Alembic and Keith with his Houston Space Center Moog, Steinway Grand piano, two Hammond organs, one for playing and one for sticking knives in, jumping on and trashing.
I think only Pink Floyd came close to gear excess!
Albums to recommend,  the first for it's virtuosity, the rest for even more prog rock virtuosity!
Ah..those were the days!!!!

cozmik_cowboy

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« Reply #23 on: November 14, 2013, 09:40:51 AM »
I think only Pink Floyd came close to gear excess!
 
I'm not sure about that - though, on the other hand, this was all sound, no show, and thus probably not excess  
 
Peter
"Is not Hypnocracy no other than the aspiration to discover the meaning of Hypnocracy?  Have you heard the one about the yellow dog yet?"
St. Dilbert

"If I could explain it in prose, i wouldn't have had to write the song."
Robt. Hunter

sonicus

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« Reply #24 on: November 14, 2013, 10:15:21 AM »
I remember on the Genesis tour in 1978 being part of the crew unloading SEVEN , yes 7 , Semi-truck trailers with the logo of the Consolidated Freight Trucking Company.   Talk about lots of stuff !
Also including the  awesome & stellar laser light Show  !  
 
Wolf

s_wood

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Emerson, Lake, & Palmer
« Reply #25 on: November 14, 2013, 10:47:00 AM »
Good stuff!
For bass players, listen to the up-tempo ostinato that Greg Lake plays at the beginning of the live version of Tarkus on Welcome Back My Friends To the Show That Never Ends. Man, I still can't play that line cleanly!  Great tone, but that's a Gibson Ripper you are hearing...the Alembics showed up on Works Vol.I and afterwards.

hifiguy

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Emerson, Lake, & Palmer
« Reply #26 on: November 14, 2013, 10:53:23 AM »
Yep.  The dinosaur-eating-cars growl of the 8-string Alembic can't be missed on Fanfare For the Common Man.  I also distinctly remember Greg playing an Alembic when I saw the Works tour with orchestra.

s_wood

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« Reply #27 on: November 14, 2013, 11:23:11 AM »
I saw both the Brain Salad Surgery and Works Tour (with the orchestra).  Really mind-blowing stuff...those cats could play!

tmoney61092

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« Reply #28 on: November 14, 2013, 12:57:37 PM »
this has turned into an awesome thread! thanks everyone for your comments! I'm definitely going to check the 3 disc live set they did!
 
~Taylor

rjmsteel

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Emerson, Lake, & Palmer
« Reply #29 on: November 14, 2013, 01:21:01 PM »
What about Greg (Lake) in King Crimson.. In The Court of the Crimson King, (Bass and Vocals) and vocals on In The Wake of Poseidon.
Court of Crimson King pre-ELP and Poseidon vocals only.
 
Great stuff. Love those albums... have both on vinyl.
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