Over the course of the Featured Customs, there's always some I like, a few I really love, yet more than I would expect fall into the 'What WERE they thinking???' file. No reflection on ALEMBIC, just the side effect of someone being able to get just EXACTLY they wanted.
And I'm very 'old school'; some of the new shapes are I'm sure necessary, but I could NEVER warm up to some of them.
But . . . leave it to an Italian ! ! Double V, I am just dumbstruck looking at this bass. The 'tailoring' if you will is just so precisely balanced among the colors of the woods and the woods you selected. And I'm really not usually inclined towards the dark woods. I really like the tailpiece, and the idea of ebony nut and saddle echoes the idea of a brass nut to match the sound of the metal frets.
I would like to suggest that this become a Signature model in fretless only. I can only imagine what Alain Caron or Gary Willis would sound like on this remarkable instrument, not to mention you, paisan! I'm really amazed at the shapes you've conjured up, and just how much they 'hit' me.
I can scarcely imagine the line that would have formed at NAMM to see this bass.
J o e y