It's a hell of a decision to make, isn't it -- to play the bass that has spoiled you for pretty much every other bass you come across, or to treat it with the reverance it deserves and save it for the studio or special gigs.
We should all have such problems, eh?
Mine has a few marks that don't go through the finish, and a pinhole in the side of the neck that was probably there since it was new, and here I am dragging it to Schenectady, NY for practice every week!