All,
Thanks for the welcoming responses.
I like Bill's story; saved by an over-aggressive salesman.
As for equipment, I play a Harktke 3500 head through a Hartke 2100 cabinet. I really like the set-up. It's small enough for a NY apartment and big enough to power the NY clubs I play. Most clubs have their own bass rig anyway, but when I need to I can just roll the whole thing right down the street, carrying my bass at the same time.
Plus, the my mahogany/walnut Alembic is so deep and full, I find the bright/punchy Hartke snarl is a good compliment for my playing and music.
I'm currently in a band with two women singers plus me, guitar and drums. We call it spunk as is soul, punk and funk. The girls are wonderful singers; the rest of us just lay down a solid foundation and pick and choose our spots for flash. I bet most would agree that it is much cooler to see a crowd move to a sparse, Sting-type baseline that you've written than play some blistering solo that only the musicians in the crowd would appreciate (although that's cool too).
Anyway, the name of the band is I Like Orange. We have gigs coming up, including a CD release party on the 11th. I'll post more in the Gigs area.
As for pics, the best I can do right now is attached (2 pictures/ two pages in a word doc); someone took some pictures at practice and at a gig but they're on the internet and I can't figure out how to get them down as JPEGs. I think it has something to do with the internet site wanting me to buy them.
Thanks again, everyone, I'll be cruising around this site. I've already decided I want an Excel. Is vermillion a bright or dark sounding wood? I thought those Fat Boys would be like a Stingray compliment to my Epic, which I always considered kind of like a Jazz (warm, round tone).
All the best,
Jack