Mike,
I'm glad you like it (the Jazz). I grew up playing one, so for me it's a great instrument. And I love the black inlays, which are original.
I've never been a big P-Bass fan. I suppose I should get one to round out the collection, but I've always considered them a one-trick pony. One pickup, one sound, etc. To each his own and all, but for me it just doesn't work as an all around instrument. That, and the fact that I'm heavily influenced by Geddy, Chris Squire, John, Jethro Tull, Jaco, Stanley, etc., and you get the picture.
All this being said, I'm sure I'll end up with a P-Bass in my stable eventually. Not that I need or want one, but just to round things out! :-)
Like you, I'll never sell my Alembics. They are the prizes in my collection, and the finest instruments I've ever played or owned. I talked with Val about converting my Spyder to a true Entwistle model, and he told me it would be better to order one from scratch given the cost of a conversion. So, I'm saving for my dream bass. Someday, it will be mine .... and Ollie will be jealous. Until then, I still have my Spyder, and my Wing, and my Europa ...
BTW, I played my Wing at an open mike night tonight (space limitations prohibited taking Boris there). First time she's been out of my house. Anyway, the response from the other bass players was as expected ... drooling, followed by jaw dropping (man, that's awesome ... what brand is that? ... where can I get one? I could tell when you were playing - it was thunderous!). I love the Signature electronics, in some ways more than the Anniversary electronics in my Spyder. And it's better for slapping and popping due to the positioning of the neck pickup.
It's the end of the post, and I'm still talking Alembic,
And, as Martha the Antichrist Stewart would say, this is a good thing,
Best Regards,
Alan