Well, here goes...
I spent maybe an hour and a half at Cremer Music Saturday, basically just verifying control functions with Juel. The weight didn't seem to be a problem, although I was merely sitting with the bass on my lap.
My god, a superfilter can shake the world! We tested each pickup separately into a 4-10 Kustom cabinet. Juel says that activating the Remote switch on the bass bypasses the on board super
filters (using the pickup direct outs) and switches from the Normal effects loop to the Remote effects loop.
All that being said, I'm not super interested in this bass. My personal opinion is that there are too many options packed into too small a space on the bass for on-stage work (all 7 toggles are tight to each other under the bridge). Also the power supply / effects connector is over kill for my uses. It's a set up suitable for a traveling act with David Gilmour-style effects racks. My personal opinion is that this bass would be wonderful in a studio setting, but I lack the disposable cash (some lucky dog in Nebraska hit the powerball) and a studio-grade tone machine is over my head in the bars I play. Your opinion may vary.
Rick has just started working on this bass. I think he still wants to dress the frets, straighten the neck, and clean up the body and neck. He has lowered the bridge a bit. I don't know if Rick has set his price for it, other than to say he hopes to price it for fair value without getting screwed. I suggest folks contact Rick directly at CremerGuitarworks.com if they wish to follow up on this beauty.
Happy hunting,
Mike