ah CURLEE ...
droooooooooooooooooooooooooooooooool
 
OTOH ...I Liked the 1 big PU model more

Thanks Gale; I found the essays quite interesting.

Thanx, Dave. Maybe some day I will find a way to post my own pics. Or maybe catch up with the rest of the world (buy a computer).  
When I worked in a music store we never had a Curlee with the One big humbucker. All we had were the 1 & 2 PBass pu's. I had never even seen pics of the ones with the big pu till just a couple years ago (on eBay) so I have no idea how they compare soundwise.
The Juice

Hey Susan:
Thanks for the info on Alembic history.  What you typed pretty much jives with what my book has in it.  I would have to say that era was the most wonderous and happiest of my life.  
 
In 69 I was still in high school, but ditched to jump on a bus and head to San Francisco quite often.  I used to go to the Filmore, Winterland, and Goldengate Park often.  I spent a lot of time hanging around Berkeley, too.  My head just floods with all the adventures I had back then, but you pretty much had to be there - well, I will not go into reams of pages.
 
Phish holds it annual concert about 10 miles from my house, but I never go.  All the kids come through town dressed in sixties attire, but it is not even close to the same as things were back 'in the day.'  You can never go home, really, and that is a good thing.  There were a hell of a lot of negative things that went down in the sixites, also . . .
 
Again, thanks for the history and bringing up some old and cherished memories for me.  In the end, they are all that is really ours and all we take with us when we go.
 
Oh, and I will type out that published history and post it.  It is interesting reading.

Well Brother Thomas ...the names you mentioned -and those of Susan's story- are ringing some bell's here too. Alas ...only from reading, hearing, pictures, documentaries and TV. Strange w never want to go back to memories, the beauty of a memory is just that it's not there anymore.  
 
Paul the bad one

I spent the summer of 1968 in San Francisco.  And what an eye (and mind) opener it was indeed...I still haven't fully recovered....Most likely because I like it out here just a little further than left field.
   
Susan,  I'd like to take this time to thank you and Ron for all of your great work both then and now.  
 
The sounds that you helped create from the early days had a vast and irreversable influence (for the better)on me. The directions my life has taken have been imprinted by a vivid soundtrack
that continues still.
 
Thanks from the deepest reaches of my soul,
Hollis

Hey Bill,
 
Here's my '68 Jazz Bass. Block inlays, oval tuners and all.
 
I just love it!
 

This is one of my all time favorites.  A SUPER rare mint condition '81 Gold Jazz Bass.  It weighs a ton!  You wouldn't believe the offers I've had to part with this beauty.  NO WAY!!!
 

Hey nice Jazz basses.  Almost makes me miss my '73 (Black w/maple neck and white pearloid blocks).  Sold it to finance my first Alembic, though - sacrificed for a very good cause!
 
Bill

 
 
(Message edited by bassman10096 on March 01, 2004)

Oh what the hell!  Here it is... Now living in South Korea (where Vintage Fenders are very hard to get), thanks to the wonders of Ebay!  
   
 
 
(Message edited by bassman10096 on March 01, 2004)
 
(Message edited by bassman10096 on March 01, 2004)

Brother Rami, that Gold Jazz-bass is REALLY nice! I returned my 79 Antigua burst Jazz bass to the owner when I left the bIgband I was playing in. I Loved the feel.
 
Paul the bad one

I agree with Paul, that Gold one is a beauty. For some reason I have always prefered dots w/no binding. I used to prefer rosewood boards but have since changed to maple (or graphite). I hope some day to have as many Alembics as I do of Leo's creations (9 basses).....or more.
Beatlejuice

Thanks Bill & Paul.  Yeah that Gold one's really something else.  Everytime I open that case...wow!  Did you notice the gold thumbrest and special bridge?  It does feature a white binding along the fingerboard as well.  
 
I've owned it for about 15 years now.  It's become a great old friend.  Sounds as good as it looks.    
 
You know Bill, the majority of my Jazz Basses feature maple fingerboards with the Pearl blocks.  I have a HUGE collection I'd love to share with all you guys - even special edition Jazz Basses.  I guess I just love them all.  I'm thinking of a thread where I can post pictures of the whole family - I'm not sure how posting pictures of old Fenders on the Alembic website would go over though!  
 
Rami
 
(Message edited by rami on March 02, 2004)

Brother Rami,
 
I don't think we have to worry a lot about that. I gave it a test on https://club.alembicguitars.com/Images/449/8167.html?1078102935
by posting the picture of one of the basses I love most (non-Alembic) to test the indulgance of moder Susan THE and I was not banned, cursed or expelled ...(yet???) LOL
 
Paul the bad one
 
 
PS ...and yeah ... I noticed all those really nice  details . It's what makes that bass so spelial ...REALLY cool!!!