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Sounds like a nice bass you are planning! For the warm sound that still cuts through, perhaps a mahogany body and primary neck wood with maple and Purple Heart stringers (which is what I think Phil’s orange Osage bass had and that was pretty warm sounding). It will be fun to see what you come up with!
...walnut stringers might also be an option, and small scale or medium scale neck could help reduce weight along with elbow and body cutouts.
My guess is that the "bright clarity" is not as much due to the purpleheart neck laminates, as it is to the always-on 8 dB Q boost. Add a Q switch, and you can turn off that boost. Make it a 0/3/6 dB switch, and you have more refined options - though if you need to cut through dense sounding guitars, a 0/6/9 dB switch might be more useful.
Having two filters lets you add some warmth here and a bit of sparkle there; then for bass boost you favour the neck pickup, etc.etc. I really like having two filters. :) And wide aperture pickups. :D And loads of mahogany in the wood recipe. ;D
So if I were in your shoes, and sufficient funds, I'd add 3-way Q switch to the Essence, and order a bass with the wood recipe of the zebrawood Essence, Fatboys and either Signature or Anniversary electronics, with the quick tone switches.
The reason I am interested in East-meets-West, is that I had an Orion 5-string. Between it and my Series I, I think I had all my sonic needs covered. If I had one bass that had both tone circuits, and was a 5-string, I think I'd be all set.I started with an Epic, then in came a Spoiler, and finally a bass with Series II electronics. I find the single filter on the Spoiler limiting, as I always leave it fully open and just use the Q switch to add some brightness. And I kind of missed the bass/treble controls from the Epic, so I definitely see the appeal of EMW.
Application-wise, I think for Grateful-Dead style stuff I play I'd rely on the filter mostly, and maybe thicken a touch with the EMW bass boost. For blues, I'd rely more on the EMW controls and have the q-switch in the 0db position. But it would be nice to have both options in a single instrument.